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Justin Go

THE US EMBASSY LITERATURE SERIES:
Justin Go reads from his upcoming novel The Steady Running of the Hour ( Der stete Lauf der Stunden / Hoffmann und Campe-Verlag, 2014).

DerSteteLaufDerStundenIn this mesmerizing debut, a young American discovers he may be heir to the unclaimed estate of an English World War I officer, which launches him on a quest across Europe to uncover the elusive truth. Just after graduating college, Tristan Campbell receives a letter delivered by special courier to his apartment in San Francisco. It contains the phone number of a Mr. J. F. Prichard of Twyning & Hooper, Solicitors, in London—and news that could change Tristan’s life forever. The Steady Running of the Hour is a literary novel about a young man’s quest to inherit a fortune from the 1920s. The book involves many historical settings, including the Battle of the Somme and the British 1924 Mount Everest Expedition.

Justin Go was born in Los Angeles to a Japanese father and an American mother. He was trained as a historian at UC Berkeley and holds an MA in English from University College London. Justin has lived in Tokyo, Paris, London, New York City and Berlin, among other places. He is currently working on a second novel.
Photo Justin Go: Marco Grundt

I Gave Him An Orchid

I gave him an orchid. I said I’m sorry I was weird with you but I had a difficult childhood.

I Gave Him An Orchid is an exploration of heart break now and then: In 1885 Sarah Henley throws herself off Bristol Suspension Bridge. She lives. In 2014 Sarah talks about it and other things that push us over the edge. It is not about suicide, well it is a bit, but it’s mainly about love and what it makes us do.

Sarah Calver is a British performer, writer and director of theater, now based in Berlin.  She trained at Lecoq and The Central School of Speech and Drama. She has experience and interest in devised and collaborative theater, physical theatre, puppetry and new writing. She has created and performed with companies including Fevered Sleep, Offstage, The National Theatre, Blind Summit, Tangled Feet, Made in China, FanShen, GameShow, Moving Dust, Gecko, The Wooster Group, Fabulous Beast and Old Vic New Voices.  Her writing includes Twelve Miles From Nowhere (nominated for 2012 Writers Guild Award), Piswer (Pulse Festival 2013) and I Gave Him An Orchid.

Flight of the Escales is an international theater collective. Founded by Sarah Calver (UK) and Marie Filippi (France) to act as a platform to get together, exchange ideas, practices and skills and create new work for ourselves and for an international audience. We are interested in good non-cluttered story-telling; in the theatrical and visceral, the epic and the simplistic; in trusting the performer and the audience; in the collaboration and in the play.

Roland Satterwhite

Roland Satterwhite is a multi-instrumentalist and singer who has lived in Berlin since 2008, when he moved from New York City.  Aside from playing violin and singing in the popular Berlin Balkan swing band Django Lassi, he continues to develop and experiment as a solo performer, as well as to collaborate in other projects.

In June 2013, at TEDx Hamburg, he performed a 15-minute solo improvisation using the violin and voice. At English Theatre Berlin, he will continue this exploration of free improvisation, but combine it with some original compositions as well as exploit the theatrical potential of a space like Berlin’s International Performing Arts Center.  Expect a one-man-show of sorts, with comic and abstract elements, but primarily musically/acoustically driven, drawing on his inspirations – among others, Andy Kaufman, Nina Simone, Led Zeppelin, Richard Pryor.  There is also a strong possibility of special guests from his long roster of talented collaborators.

February 2014 International Comedy Showcase

For the last three years, Berlin has seen an explosion in English-language comedy. With regular open mics and showcases and springing up all over town in various bars, cafés and art spaces, dozens of Berlin-based comedians from around the world (including Germany!) are finding their voices and sharing their lives in hilarious detail.

Featuring Caroline Clifford (UK), Jonas Imam (DE), Daniel Stern (USA),  improv comedy with Good Luck, Barbara and headliner Andy Valvur (Cologne/USA)

Hosted and curated by Paul Salamone (USA) with musical co-host Stephen Paul Taylor (Canada)

 

Schwarz gemacht

What is “identity”? What makes us who we are? Who has the right to define us?

Set in 1938 Berlin and drawing heavily upon history, the play imagines a story that examines universal questions of self and citizenship primarily through the eyes of a patriotic Afrodeutscher (Afro-German) actor. Proud to serve his country, he appears in propaganda films calling for the return of Germany’s former African colonies. An encounter with an African-American musician and activist leads to hard questions about the treatment of people of color both in Germany and in the United States of America.

Schwarz gemacht is the first project to move completely through English Theatre Berlin | International Performing Arts Center’s new work development series, THE LAB, to receive a full production. It was part of the Colorblind? series of staged readings examining racial identity on stage in 2012 and a two-week workshop was held in December 2013.

The production of Schwarz gemacht featured an exhibition in our foyer exploring the historical themes of the play.

Post-performance discussions will be offered on Thursday, February 27 (moderated by Katharina Oguntoye), Thursday, March 6 and Friday, March 14 (moderated by Dr. Tina Campt, Barnard College)

 

US_NewLogo_Flag_WEBCC Stiftung

Supported by the US Embassy, Berlin and the Checkpoint Charlie Foundation

 

The Berlin Sofa: Lorraine Daston + Theodore Porter

Historians of science Lorraine Daston (Max-Planck-Institut für Wissenschaftsgeschichte, Berlin/University of Chicago) and Theodore Porter (University of California at Los Angeles/Wissenschaftskolleg zu Berlin)

will be exploring the impact of science on the literary imagination with readings from Mark Twain, George Elliott, Thomas Carlyle, Charles Darwin, Michael Frayn, Mary Wollstonecraft Shelley and other writers captivated by the world-changing potential of science and technology.

Lorraine Daston is Director at the Max Planck Institute for the History of Science, Berlin, and Visiting Professor in the Committee on Social Thought at the University of Chicago. Her work addresses how standards of rationality develop historically through concrete scientific practices such as observation, image-making, and archiving. Recent publications include (co-edited with Elizabeth Lunbeck), Histories of Scientific Observation (2011) and (with Paul Erikson et al), How Reason Almost Lost Its Mind: The Strange Career of Cold War Rationality (2013). She is currently working on a book about the history of rules.

Theodore Porter is a historian of science at the University of California, Los Angeles and, this year, a fellow of the Wissenschaftskolleg zu Berlin. His books include Trust in Numbers and Karl Pearson: The Scientific Life in a Statistical Age. With Lorraine Daston he is among the coauthors of The Empire of Chance, or, in German translation, Das Reich des Zufalls. He is finishing a book about how insane asylums became important sites of data and research on human heredity.

sofa280

Established in 2010, The Berlin Sofa is a series where Berlin-based celebrities from English-language countries read from the works of their favorite authors.

Michael Lederer

THE US EMBASSY LITERATURE SERIES:
Michael Lederer reads from his upcoming novel Cadaqués.

Cadaques_COVER2-Kopie-300x256Cal is an American writer who drinks more than he writes.  Layla is a beautiful young English woman interested in literature.  One can be too careful in life, or one can be too wild.  Where is the line?  In this small fishing village near the Spanish / French border, where once lived Salvador Dali, Marcel Duchamp, Man Ray, Picasso, and other greats, a new generation of artists and writers continue in those decadent footsteps.  As one character puts it, “No Lost Generation here, darling.  This is Cadaqués.  We are finding ourselves!”

Michael Lederer is an American novelist, short story writer, poet and playwright currently living in Berlin, Germany. He is also the Founder and Artistic Director of the Dubrovnik Shakespeare Festival in Dubrovnik, Croatia. In 1984-85, Lederer wrote his first novel, Nothing Lasts Forever Anymore, while living in La Herradura, a fishing village in southern Spain. The story of a family that must decide whether to sell their small farm to real estate developers was published in 1999 in Barcelona and Cadaqués by a small publishing house called Parsifal Ediciones as Ya Nada Dura Eternamente. In 2001, the Catalan writer David Marti, reviewing the book in the French literary journal “Remanences,” wrote “No one as yet has been able, like Michael Lederer, to engender the calmness of our life and dreams on the shores of the frail yet powerful Mediterranean Sea.” In March 2013, a revised edition of Nothing Lasts Forever Anymore (Nichts ist mehr für die Ewigkeit) was published in both English and German by PalmArt Press in Berlin and presented at the Leipzig Book Fair. The Great Game. Berlin-Warsaw Express and Other Stories, a collection of short stories and sonnets, was published in Berlin in 2012 by PalmArt Press in both English and German. Michael is currently working on a new novel, The Land, to be published in the fall of 2014. Die Welt has called him “among the great American writers.”

Kiran Desai & Ben Marcus

with a joint reading from their works and discussion.

The U.S. Embassy Literature Series

Inheritance of LossKiran Desai won the 2006 Booker Prize for her novel The Inheritance of Loss (dt. Erbin des verlorenen Landes). She is the daughter of Indian writer Anita Desai, grew up in India and England and has lived in the US since 1977.

Her first novel, Hullabaloo in the Guava Orchard (1998, dt. Der Guru im Guavenbaum) won numerous awards, followed by the international bestseller The Inheritance of Loss.

Kiran Desai is the current Holtzbrinck Fellow at the American Academy in Berlin.

MarcusBen Marcus is the author of three novels, The Age of Wire and String (1995), Notable American Women (2002) and The Flame Alphabet (2012, dt. Flammenalphabet). His stories, essays and reviews have appeared in numerous publications.

He is an Associate Professor at Columbia University and lives in New York City and Brooklin, Maine.

Ben Marcus is currently Mary Ellen von der Heyden Fellow in Fiction at the American Academy in Berlin.

 

Foto Desai: Beowulf Sheehan/PEN American Center

October 2013 International Comedy Showcase

For the last three years, Berlin has seen an explosion in English-language stand-up comedy. With regular open mics and showcases and springing up all over town in various bars, cafés and art spaces, dozens of Berlin-based comedians from around the world (including Germany!) are finding their voices and sharing their lives in hilarious detail. Now see some of the best the Berlin scene has to offer.

Featuring Adrián Minkowicz (Argentina / NYC), Tamika Campbell (USA), Nate Blanchard (USA), Tim Whelan (UK),  improv comedy with ComedySportz!
and headliner Chris Davis (Scotland)

Hosted and curated by Paul Salamone (USA) with musical co-host Stephen Paul Taylor (Canada)

TERRAIN OF THRESHOLD VOICES

The exhibition and performance project Terrain of Threshold Voices is dedicated to forms of artistic research on language in relation to the transformation of the urban landscape though migratory movements. Inspired by the presence of written expressions (such as advertisements, posters, graffiti, t-shirts, etc) – which take the contemporary city as a textual surface – language phenomena are explored as terrains of friction between different communities.

It connects the ongoing investigation on dissident practices of precarious bodies within the framework of District’s dissident desire with the histories and present narratives of migration in Berlin that are examined by Aliens of Extraordinary Abilities? at English Theatre Berlin. Engaging with the interstices of different languages and cultures of space, Terrain of Threshold Voices manifests in an exhibition as a performative zone of conflict. Moving beyond normative attribution and cultural representation, the exhibition opens a language laboratory of threshold jargons that emerge from transitional states.

The project combines this experimental approach with performative movements throughout the district of Tempelhof-Schöneberg surrounding District Kunst- und Kulturförderung. The site-specific performances by Hanne Lippard and Wilhelm Klotzek take this microcosm as their field of exploration and action. Both the exhibition and the performances in the neighborhoods map out terrains, structures and movements which emerge at intersections and ruptures between different social narratives of Berlin.

tempelhof-web

SCHEDULE OF EVENTS

November 13 – December 7, 2013
Exhibition opening hours: Tuesday to Saturday 2 – 6pm

November 12, 2013
6 – 10pm Opening
7pm La langue Schaerbeekoise lecture and discussion by Constant / Peter Westenberg
9pm concert performance by Jaume Ferrete

November 23, 2013
3pm PHONE-IN, CALL OUT. A disembodied tour by Hanne Lippard
6pm Terrain of Threshold Voices – READER Presentation by Pieterjan Grandry & Valentina Karga
8pm Broken Dimanche Press presents Dime Bumshow readings
9pm In-between-ness: creating, writing and living in-between languages, genres and forms lecture and discussion by Camille De Toledo

November 30, 2013
3pm Stätte – Stimme am Subjekt Performance tour through the Kiez by Wilhelm Klotzek
6pm City says lecture and talk by Nasan Tur
7:30pm Touristen fisten ist auch keine Lösung lecture and discussion by Peter Laudenbach

December 7, 2013
3pm Stätte – Stimme am Subjekt Performance tour through the Kiez by Wilhelm Klotzek
4:30pm PHONE-IN, CALL OUT. A disembodied tour by Hanne Lippard
6pm Closing – Performance program in conjunction with dissident desire Chapter 1: Exercises of Critical Bodybuilding with Alicia Frankovich, Emma Haugh, Dafna Maimon, Miryana Todorova

Exhibition

For Terrain of Threshold Voices, Anna Bromley will update her artistic work investigating forms of political expression within the scope of recent protest movement with an eye towards Berlin. In her installation, a karaoke version of protest speeches, the visitors can lend their voices to various political speeches. On November 10, her radio feature A City After Our Heart‘s Desire presented the urban resistance and “their” Berlin. The exhibition also includes Larissa Fassler with new work exploring Berlin’s Schlossplatz (2013), Jaume Ferrete with the video documentation of a choral performance as well as work by Constant and Nasan Tur.

Performance Tours Through the Kiez

Hanne Lippard PHONE-IN, CALL OUT

The phone-persona is delightfully visually shrouded, only surrounding sounds can give your lies away. There are no waterfalls in the city. Prior to our cellphone lives, a phone call had a given time and space, it was an agreement between two distant parts. In a culture depending on a phone to serve as a multi-tasking nomadic gizmo, Hanne Lippard’s call-shop tour is an exploration into the specificity of the phone-call as a fixed act in time as well as location.

November 23, 3pm – Meeting point: District Kunst- und Kulturförderung. Please sign up for the tour by November 21 by sending an email to post@district-berlin.de

December 7, 4:30pm – Meeting point: District Kunst- und Kulturförderung. Please sign up for the tour by December 5 by sending an email to post@district-berlin.de

Wilhelm Klotzek Stätte – Stimme am Subjekt

In his performance Stätte – Stimme am Subjekt, Wilhelm Klotzek connects the location of the Gaststätte (restaurant or public house) with garden colony politics and hardware store cosmoses through bold language sculptures. In the middle of the garden colonies surrouding the Priesterweg S-Bahn station , set off on a daring tour of ideas through territories of growth, construction and do-it-yourselfing. For a short time, you will be part of a movement you didn’t even know existed until now: weclome to the “multitool” club.

November 30, 3pm – Meeting point: SÜDEN Gartenlokal inside the Priesterweg S-Bahn station. Please sign up for the tour by November 28 by sending an email to post@district-berlin.de

December 7, 3pm – Meeting point: Restaurant ZUR ZIEGENWEIDE, opposite the Priesterweg S-Bahn station. Please sign up for the tour by December 5 by sending an email to post@district-berlin.de

Lectures and Discussions

Constant / Peter Westenberg, Nasan Tur, Valentina Karga & Pieterjan Grandry, Camille de Toledo, Peter Laudenbach and Broken Dimanche Press

Constant / Peter Westenberg La langue Schaerbeekoise

The exhibition will be opened by the Belgian collective Constant and a presentation of their long-term project La langue Schaerbeekoise (2010-2013) exploring the further development and renewal of language through various cultural influences.

November 12, 7pm

Pieterjan Grandry & Valentina Karga Terrain of Threshold Voices – READER

Building upon the basis of Valentina Karga’s socio-artistic engagement in the gardens near District and primarily upon its failure, she and Pieterjan Grandry will publish a Reader that includes a selection of text, quotes and references on the topic of the project as well as the individual contributions to the exhibition and can be purchased.

November 23, 6pm

Broken Dimanche Press Dime Bumshow

The editor in chief of the independent publisher BROKEN DIMANCHE PRESS, John Holten, invites artists, writers and performers to participate in Dime Bumshow. Slang, dialects and local expression will be investigated as literary phenomena within the framework of readings.

November 23, 8pm

Camille de Toledo In-between-ness: creating, writing and living in-between languages

Toledo Art Forms is the art platform through which Camille de Toledo writes and creates. From photography to fiction writing to theory to art installation, his work is endlessly designing a space in-between genres, identities and languages. In this performed conference, he will give us a hint of why Zwischenheit is the other name for his 21st century art and politics.

November 23, 9pm

Nasan Tur City says

Berlin-based artist Nasan Tur presents his exploration of international urban spaces for all kinds of graffiti and street poetry in his City says series. He develops various translations such as performances, videos or posters from the text material that connect current political realities with local everyday sayings and subculture expressions. At District, he will present his work Istanbul Says in a lecture and discussion.

November 30, 6pm

Peter Laudenbach Touristen fisten ist auch keine Lösung

Touristen fisten ist auch keine Lösung. Out of principle: I don’t want to have sex with people who consume the city I live in like it’s a picture on a postcard. The tourist is the perfect consumer. The city transforms itself into an amusement park for them. Inhabitants of the city are pieces of decoration or service personnel. In touristy Berlin, Guy Debord’s famous “society of spectacle” has long since become reality.

Peter Laudenbach is a theater critic for the Süddeutsche Zeitung and a theater editor for the city magazine tip. Most of all, however, he enjoys his work for the business magazine brand eins. He has written a  good-humored aggressive book about tourism in Berlin: Die elfte Plage, published by Edition Tiamat.

November 30, 7:30pm

A collaboration between District Kunst- und Kulturförderung and English Theatre Berlin – International Performing Arts Center