Click on the ticket to the right of each event to access our online box office.

October 2024

9
Wed | 8pmMain Stage

Ayana Mathis

Reads from her novel The Unsettled

Tickets
13
Sun | 11amMain Stage

FRATZ International

We will serve as the performance venue for two productions and a lecture during the 2024 edition of Fratz International Festival for the Very Young

Tickets
13
Sun | 3:30pmMain Stage

FRATZ International

We will serve as the performance venue for two productions and a lecture during the 2024 edition of Fratz International Festival for the Very Young

Tickets
13
Sun | 6pmMain Stage

FRATZ International

We will serve as the performance venue for two productions and a lecture during the 2024 edition of Fratz International Festival for the Very Young

14
Mon | 10amMain Stage

FRATZ International

We will serve as the performance venue for two productions and a lecture during the 2024 edition of Fratz International Festival for the Very Young

Sold Out
14
Mon | 2:30pmMain Stage

FRATZ International

We will serve as the performance venue for two productions and a lecture during the 2024 edition of Fratz International Festival for the Very Young

Tickets
16
Wed | 10amMain Stage

FRATZ International

We will serve as the performance venue for two productions and a lecture during the 2024 edition of Fratz International Festival for the Very Young

Tickets
17
Thurs | 10amMain Stage

FRATZ International

We will serve as the performance venue for two productions and a lecture during the 2024 edition of Fratz International Festival for the Very Young

Tickets
26
Sat | 8pmMain Stage

Colonizing The Skies

The very first performance of new work-in-progress by Noémi Ola Berkowitz, followed by a post-performance discussion

Tickets

November 2024

2
Sat | 8pmMain Stage

The Money Piece

The very first work-in-progress showing of a new solo by writer and actor Alexander Thomas, followed by a post-performance discussion

Tickets
30
Sat | 8pmStudio

Rhythm in Sediment

The very first performance of new work-in-progress by Anna Lublina, followed by a post-performance discussion

Tickets