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Salomania

MARK JACKSON is English Theatre Berlin´s Fall 2013 Playwright In Residence.

He will direct a staged reading of his play Salomania.

In 1895, Maud Durrant moved from San Francisco to Berlin, Germany, to study music. Shortly after, her brother killed two girls in the belfry of a church. Their mother told Maud to stay in Europe and change her name, lest the scandal ruin her career. Now going by Maud Allan, she became a major celebrity in Great Britain as a dancer and society personality. In 1918, in the weariest depths of WWI, she was accused by a British MP, Noel Pemberton-Billing, of being a lesbian, sadist, and German sympathizer as evidenced by her having played the title role in a private production of Oscar Wilde’s Salome.

Against the advice of friends in high places, Maud sued Billing for libel. He then used the case as a platform to promote a conspiracy theory involving a secret German book listing the names of 47,000 traitors to England, all held under the thumb of homosexual German agents. While soldiers continued to fight and die in the mud of France, people back home read the latest on the salacious events of the trial. Salomania uses this story as the basis to ask questions about how people deal with anxiety in times of incredible change. How can a society allow itself to be both hysterical and “civilized” at the same time, and expect to function either well, morally, or respectably?

Mark Jackson is a playwright, director, and performer based in San Francisco, USA. He was Artistic Director of Art Street Theatre from 1995 to 2004, during which time he wrote, directed and performed in numerous productions for the company. Mark’s work in the San Francisco area has also been seen at Aurora Theatre Company, Encore Theatre Company, EXIT Theatre, Marin Theatre Company, Potrzebie Dance Project, San Francisco International Arts Festival, Shotgun Players, and Z Space, among others. Nationally at The Catamounts (Denver) and The Studio Theatre (Washington D.C.). Internationally at Arts International Festival IV (Japan), Edinburgh Festival Fringe (UK), and Deutsches Theater Berlin (Germany). Mark has been a resident playwright of the Djerassi Resident Artists Program, where he was awarded the William and Flora Hewlett Foundation Honorary Fellowship, and received a 2005 Bundeskanzler-Stipendium of the Alexander von Humboldt Foundation. Mark has been a company member of The Shotgun Players since 2010.

Jennine Capó Crucet

THE US EMBASSY LITERATURE SERIES:
Jennine Capó Crucet reads from her novel-in-progress Magic City Relic.

Jennine Capó Crucet will be the Picador Guest Professor for Literature at Leipzig University in the fall of 2013, a program initiated by the University of Leipzig in cooperation with the German Academic Exchange Service and the Veranstaltungsforum der Verlagsgruppe Georg von Holtzbrinck in 2007.

Jennine is the author of How to Leave Hialeah, which won the Iowa Short Fiction Prize, the John Gardner Book Award, the Devil’s Kitchen Reading Award, and was named a Best Book of the Year by the Miami Herald, the Miami New Times, and the Latinidad List. The title story from the collection won a PEN/O. Henry Prize and appears in the 2011 PEN/O. Henry Prize Anthology. Originally from Miami, she is currently an Assistant Professor of Creative Writing at Florida State University.

Jennine is the recipient of the John Winthrop Prize & Residency for Emerging Writers, the Emily Clark Balch Fiction Prize, and her work has been a finalist for both the Chicano/Latino Literary Prize and the Missouri Review Editor’s Prize. Her stories have appeared in numerous magazines. Her book reviews appear in the L Magazine, a New York City bi-weekly.

Pic: Andre Vippolos

PHIA

Imagine a happy Feist mixed with a young Björk and you’d be coming close to Australian-born, Berlin-based Phia. Her new single “Do You Ever?” features the otherworldly sound of her trademark African kalimba, and the loops and layers of her enchanting voice echo her unique and arresting live show which has fast gained her a reputation around Europe.

To celebrate the upcoming single’s release, Phia is touring around Germany this October. She is bringing “Mez Medallion”, AKA Joshua Teicher, the producer of her single with her. Combining his love of acoustic and electronic instruments with samples and the head-nodding joy of the pop song hook, Joshua weaves an immersive and adventurous brand of cleverly written electropop. He will be opening each show and also joining her on stage in her band.

Read more …

White Rabbit, Red Rabbit

etb_WhiteRabbirRedRabbit_KeyVis_teaser_300 No rehearsals. No director. No set. A different performer reads the script cold for the first time at each performance. Will you participate? Will you be manipulated? Will you listen? Will you really listen?

Forbidden to leave his country for refusing military duty as a conscientious objector, playwright Nassim Soleimanpour distilled the experience of an entire generation in a wild, utterly original play from Iran.  He was unable to experience the success celebrated by White Rabbit, Red Rabbit around the world until the beginning of 2013 in Australia. Having been retroactively discharged from service, Soleimanpour finally was able to receive a passport.

White Rabbit, Red Rabbit is a work about contemporary Iran, and of Nassim’s generation: the generation born during the incredible hardship of the Iran-Iraq war now in their late 20s and early 30s. A generation that has never known an Iran other than the Islamic Republic, yet a generation that is computer literate, and well‐informed. The art they are making is worthy of notice.

White Rabbit, Red Rabbit is a unique theater experience and has been celebrated worldwide as one of the most astonishing evenings in a theater where both audience and performer as a whole create a performance about the ties and tensions between freedom and conformity.

“The playwright slyly examines the desire to submit to authority and the ways in which that impulse can be exploited by the clever and the charismatic. Soleimanpour, who was 29 when he wrote the play, translates these dark and disturbing themes into an outrageous parable involving vials of poison, rabbits and cheetahs, oh my. It’s an intoxicating stream of consciousness from the heart of Iran that will leave you at once amused and alarmed.” San Jose Mercury News
“There´s a magnetic mind behind the prose. Rabbit is a lightly comic, deceptively discursive, meta-theatrical monologue that – without, I hope, giving too much away –  raises provocative questions about the nature of theater, social responsibility, personal freedoms, suicide and the limits of obedience.” San Francisco Chronicle

White Rabbit, Red Rabbit has been performed in Edinburgh, Toronto, Dublin, Oslo, Glasgow, Oldenburg, San Franscisco, Brighton, Vancouver, New Haven (Connecticut), Amsterdam, Athens, Calgary, London, Montreal, Düsseldorf  by performers such as Tim Crouch, Lucy Ellinson, Edgar Selge, David Greig, Sandy Grierson, John von Düffel, Guy Masterson, Imogen Kogge, Adura Onashile, Annie Ryan, Juliet Stevenson, Chris Thorpe, Janet Suzman, Pip Utton, Anna Thalbach, Chris Kondek, Gregor Weber and many others.

NOW FOR THE FIRST TIME IN BERLIN !

 

September 2013 International Comedy Showcase

For the last three years, Berlin has seen an explosion in English-language stand-up comedy. With regular open mics and showcases and springing up all over town in various bars, cafés and art spaces, dozens of Berlin-based comedians from around the world (including Germany!) are finding their voices and sharing their lives in hilarious detail. Now see some of the best the Berlin scene has to offer.

Featuring Stefan Danziger (Germany), Caroline Clifford (UK), a special goodbye Berlin set from James Harris (UK), improv comedy from Good Luck, Barbara! and headliner David Deery (US), curated and hosted by Paul Salamone (US), featuring musical co-host Stephen Paul Taylor (Canada)

Mara Simpson & Band

With a style of songwriting equally as eclectic as her background, Mara delivers an old soul voice with a unique perspective, recently quoted by New Zealand Musician Magazine as “Soulful, sincere, warm, rich and intimate. The songwriting is stunning.”

Mara Simpson Flyer Social Media Key Viz (819x1024) WebHer new highly acclaimed album saw her collaborate with New Zealand household names and UK producer Dan Goudie (Florence and the Machine, Katie Tunstall). This year also saw Mara feature on ex-Genesis band member Ray Wilson’s solo album Chasing Rainbows.

British/Kenyan songwriter Mara Simpson, who now calls Berlin home, is joined by her band Rene Corbet and Alex Bayer for a special performance at English Theatre Berlin.

 

Support act: Chester Travis & Tim Hook

No stranger to the Christchurch local music scene, Chester Travis met Tim Hook on the meaner, harsher musical streets of London. Together they worked in a West End guitar shop where in-store songwriting took precedence over sales as they began to learn their friendship ran deeper than just words. Now both living in Berlin and drawing on influences such as Elliot Smith and Wilco, the country-folk duo are currently recording an EP set for release in November.

ECHTER BERLINER !!!! IHR NICHT FUCK YOU

FUCK YOU TOURISTS. NO MORE ROLLKOFFER. WELCOME TO SCHWABYLON. Berlin Hate U. Greetings from the Berlin welcoming committee in the form of meter-high graffiti adorning every available surface. One, ECHTER BERLINER !!!! IHR NICHT FUCK YOU, especially invites questions. What is a “real Berliner”? According to whom?

ECHTER BERLINER PicECHTER BERLINER !!!! IHR NICHT FUCK YOU is a documentary theater piece exploring the diverging and converging experiences of so-called “expats”, often coming from comparably richer countries who travel to Berlin for self-realization, with those of so-called “immigrants”, often coming from comparably poorer countries for financial survival. At least, these are the generalizations.

For this piece, an international ensemble of six performers, each connected to a so-called “expat” or “immigrant” group, have conducted interviews with more than 60 members of their respective communities about their experiences in Berlin. Every word spoken on stage is taken from direct transcriptions of these interviews, revealing an oft-surprising picture of reality far beyond the banality of stereotypes.

ETB_ECHTER BERLINER__Lynn Femme4_foto by Manuela Schauerhammer

Production photo by Manuela Schauerhammer

 

 

LogoHKF-M-RGB (Ausschnitt)
ECHTER BERLINER !!!! IHR NICHT FUCK YOU is the first part of Aliens of Extraordinary Abilities?, a two-part project investigating the experiences of so-called “expats” and so-called “immigrants” in Berlin and the Hauptstadt’s rapidly changing cityscape. The second part, Terrain of Threshold Voices, a collaboration with DISTRICT Kunst- und Kulturförderung, will take place in November and December.
This project is funded by the Hauptstadtkulturfonds (Capital Cultural Fund).

New Work From New People

New Work From New People is an evening featuring work by writers, actors and directors who are new to English Theatre Berlin and our community that THE LAB presents every six months, in addition to its regular monthly programming.

The August edition includes excerpts from:

The Saint Factory by Lavinia Abbott

Banking: A Ghost Story by Kishore Chakraborty

Satie et Cocteau: A Rehearsal of a Play of a Composer of a Poet by Mike Czuba

Das Traumkabarett by James Harris

Mundo Overloadus by Michael Lederer

 

August 2013 International Comedy Showcase

For the last three years, Berlin has seen an explosion in English-language stand-up comedy. With regular open mics and showcases and springing up all over town in various bars, cafés, and art spaces, dozens of Berlin-based comedians from around the world (including Germany!) are finding their voices and sharing their lives in hilarious detail. Now see some of the best the Berlin scene has to offer.

Featuring Alex Upatov (Russia), Vincent Pfäfflin (Germany), Rey Melara (Honduras), Johnny Armstrong (UK) and headliner Drew Portnoy (US), with guest host James Harris (UK) and musical co-host Stephen Paul Taylor (CA). Curated by Paul Salamone (US).

The Dollar General

A new film by Daniel Fish (NYC)

Daniel Fish has long been interested in film – as a textual resource/referent (the screenplay), an element of his stagecraft (the screen) and a structural challenge to his dramaturgy (the “language” of cinema vs. the “language” of the theater). Recently, he made his first serious turn to filmmaking, with the hour-long The Dollar General, a funny, quiet, cinematographically deadpan meditation on economics, crisis, loss and change, shot in an abandoned Ford dealership.

That is, it’s a movie about America right now. It’s a beautiful movie, profoundly affecting in its visual rusticity, and its haunting final scene – the final shot, especially – numbers among the most memorable committed to film in this country in recent years.

Trailer:

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For roughly the last twenty years, Daniel Fish has been making innovative work for theater, opera and more recently, film. His heterodox theatrical vision traffics in the unlikeliest of aesthetic combinations – revolutionizing revered dramatic classics (Shakespeare, Moliere, Odets, Benjamin Britten, Rodgers and Hammerstein), or else finding theater where none was intended, as in the labyrinthine writings of the late David Foster Wallace with A (radically condensed and expanded) Supposedly Fun Thing I’ll Never Do Again (The Chocolate Factory and ArtsEmerson’s TNT Festival) and Jonathan Franzen with House For Sale. Fish’s work is at once conceptually rigorous and theatrical lavish, and it is this rare conjunction that gives his work its singular flavor.