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October 2014 International Comedy Showcase

In recent years, Berlin’s transformation into the cultural capital of Europe has also brought about an explosion of English-language comedy.

While most open mics and showcases feature stand-up comedy in bar venues, ETB | IPAC’s monthly International Comedy Showcase combines international headliners with multiple forms of comedy by local artists, including stand-up, short-form and long-form improv as well as musical comedy in our gorgeous 120-seat auditorium.

Featuring headliner Isak Jansson (Sweden), musical  guest A Spoonful of Deutschland (USA/Ireland/Germany) and improv comedy by ComedySportz Berlin, hosted by Chris Davis (Scotland)  and curated by Paul Salamone (USA)

What do you get when you combine three very nerdy tour guides, one hairy Scottish musician, far too many beers and a smoky basement bar in Berlin’s red light district? A Spoonful of Deutschland is the musical comedy project which explains the ins and outs of German history (sorry Poland), through the medium of song. Songs designed to subliminally impose Western capitalist ideals upon children the world over. But we digress… Summer Banks, Matti Geyer and Barry McKeon have been pulling at this unlikely thread for quite some time now, perform regularly around Berlin and even made a trip to Leipzig, much like Napoleon. The songs might sound familiar – if this is the case, it is pure coincidence. No really – don’t tell the mouse.

Saudia Young

Saudia Young sings a ‘Swing Cabaret’ mixture of jazz, blues and dark rock & roll. A Berlin-based New Yorker, Young writes songs as well as tipping her hat to the “dark cabaret swingers from Fitzgerald to Weill to Waits”. Saudia’s sultry voice, stage presence and the excellent musicians – Florian von Frieling (DE) on guitar, Henry Grant (US) on drums  & Dirk Schmigotzki (DE) on contra bass – make this an act not to be missed.

The Emigrants

Life as immigrants in Germany – setting off into alleged freedom, intellectual, political or financial, leads a man and a woman into somebody’s basement. One, seemingly a migrant worker, and the other, who at first glance appears to be an intellectual, are left to sink or swim in this barren environment. The reference to theater of the absurd is clear. Up to this point, Threepenny Theatre follows the dramatic source material of Sławomir Mrożek.

Then the text intertwines with the lives of the performers, is deconstructed through a Babylonian confusion of languages and the boundaries between intimate reality and performance blur. After all, Babylon is the everyday life of the performers: Marija Maki Lipkovski is Serbian and Miklós Miki Barna is Hungarian – they live together in Germany and speak Hungarian and Serbian, usually English and German with each other, and sometimes Italian, too. The fact that misunderstandings are just a regular part of the daily routine becomes the means to cryptic humor on stage.

Through a dizzying combination of mask theater, political and intellectual digressions and self-made films, these emigrants search on stage for the freedom they came here for in the first place. In doing so, they explore especially elaborate relationships between theater and film.

This results in grotesque hybrids: 1/3 human being, 1/3 stage character, 1/3 film character. It increasingly seems as though they are a chasing a ghost that is not to be found on any of the three levels, leaving them prisoners of a grand idea.

Watch the trailer here:

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Featuring a post-performance discussion on October 2 as part of Theater Scoutings Berlin!

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Joshua Cohen

THE U.S. EMBASSY LITERATURE SERIES:
Joshua Cohen reads from his collection Four New Messages (Vier neue Nachrichten / Schöffling 2014)

Four New MessagesIn “Emission,” a hapless drug dealer in Princeton is humiliated when a cruel co-ed exposes him exposing himself on a blog gone viral. “McDonald’s” tells of a frustrated pharmaceutical copywriter whose imaginative flights fail to bring solace because of a certain word he cannot put down on paper. In “The College Borough” a father visiting NYU with his daughter remembers a former writing teacher, a New Yorker exiled to the Midwest who refuses to read his students’ stories, asking them instead to build a replica of the Flatiron Building. “Sent” begins mythically in the woods of Russia, but in a few virtuosic pages plunges into the present, where an aspiring journalist finds himself in a village that shelters all the women who’ve starred in all the internet porn he’s ever enjoyed.

Joshua Cohen was born in 1980 in New Jersey. He is the author of five previous books, including Cadenza for the Schneidermann Violin Concerto, A Heaven of Others, and Witz. His nonfiction has appeared in Bookforum, Harper’s, and other publications. He received the 2013 Matanel Prize in Jewish Literature and the Pushcart Prize 2012 and was listed among the top 20 under 40 writers by The New Yorker.

We Are the Play

Gedenkstätte Berliner Mauer
Meeting point in front of the Visitor‘s Center
Bernauer Straße 119, 13355 Berlin

This interactive performance is an open-air parcours. Weatherproof clothing and sturdy shoes are recommended

By Sisyphos, der Flugelefant (SdF)

“Wir sind das Volk” (“We are the people”) was the chant of the protestors on the streets of East Germany. But who was there when two German states became one? Ms. Müller and Mr. Meyer? What about Ms. Gül and Mr. Ho?

Enter the world of “We Are the Play”: an interactive, immersive performance piece exploring the long-overlooked personal stories of immigrants and Germans of various descents over the course of the Fall of the Berlin Wall. Based on research and interviews conducted with eyewitnesses, the duality of the experience of the Fall of the Wall is dissected as both welcoming and threatening – a collision of celebration with the anxiety accompanying freedom.The audience will be both guided and set free to explore those stories on the site of Berlin Wall Memorial, where they will experience a playful and interactive journey of the same event, examining the same questions from different perspectives.

We Are the Play uses the act of playing as a method for rediscovering the past, rethinking, transforming and as a path to each other in the here and now.

We Are the Play is a production by Sisyphos, der Flugelefant (SdF) in co-production with ETB | IPAC and in cooperation with ehrliche arbeit – freies Kulturbüro.

Funded by Regierender Bürgermeister von Berlin, Senatskanzlei – Kulturelle Angelegenheiten and Fonds Darstellende Künste e.V.

With the friendly support of the Berlin Wall Foundation, the Protestant Reconciliation Parish Berlin, Theaterhaus Mitte, multicult.fm and the Taiwanese Ministry of Culture

Pre-performance and post-performance discussions on Sunday, September 14 at 6:45 pm as part of Theaterscoutings Berlin

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Jamie Collier

Jamie Collier TeaserJamie Collier’s writing style stems from country and blues, with influences from Tom Waits to Gillian Welch. A sensitive acoustic guitar technique, strong melody and a powerful singing voice form the backbone to a captivating performance of storytelling in song. From New Zealand, his musical journey of 9 entirely DIY albums has led him to hold a respectable stance in the craft of songwriting.

Jamie arrived in Berlin in the Winter of 2012, where he entered the Berlin scene, as so many musicians have, busking on the streets and passing the hat in the bars around the city. He co-founded the folk/synth-pop duo The Rad Dads later that year and kick started a mobile recording service to record Berlin’s musicians. Jamie will be joined by some fellow musicians for a memorable evening of songs.

 

Support act the clockwork faerie

clockworkThe Clockwork Faerie is the project of Berlin-based Johanna Blackstone. It is Clockpunk & Opera Strange. “To tell a story… That is the meaning of my song. The story of forever… Ticking on and on and on…” The Inventor! (Johanna Blackstone), sings with a pure tone voice that seems like a siren over water, playing a resonator ukulele that couldn’t be more fitting. Occasionally accompanied by The Engineer! (Gerrit Haasler), her songs weave together to tell a story of the Assemblage of The Clockwork Faerie.

She will be joined, in part, by The Harlequina (contact juggling) and The BellyBot (Belly Dancer) to present the ‘Circus of Broken Dolls’, a project that tells the sweet story of one trying to learn from the other through movement and music.

September 2014 International Comedy Showcase

In recent years, Berlin’s transformation into the cultural capital of Europe has also brought about an explosion of English-language comedy.

While most open mics and showcases feature stand-up comedy in bar venues, ETB | IPAC’s monthly International Comedy Showcase combines international headliners with multiple forms of comedy by local artists, including stand-up, short-form and long-form improv as well as musical comedy in our gorgeous 120-seat auditorium.

Featuring improv headliner Good Luck, Barbara! (Canada/USA), musical  guest Luke Burrage (UK) and stand-up comedy by Georg Kammerer (Germany) and Alex Upatov (Russia), hosted and curated by Paul Salamone (USA)

Featuring an introduction to the International Comedy Showcase as part of Theaterscoutings Berlin at 7:30 pm

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Official After Show Party at t Berlin (Fidicinstraße 38)!

We thought it would be a great idea to join forces with Berlin Expats (the largest English-language social group and forum for Berlin’s international community)  and are pleased to have their “Tea Party” on Saturday serve as the official After Show Party for our International Comedy Showcase.

Your online ticket for the International Comedy Showcase (8 €) get you into the Tea Party for FREE (instead of 3 €).

You can find more information on Facebook and Meetup!

 

 

Karin Slaughter

THE U.S. EMBASSY LITERATURE SERIES:
Karin Slaughter reads from her novel Criminal (Bittere Wunden / Blanvalet Verlag 2014)

CriminalWill Trent is a brilliant agent with the Georgia Bureau of Investigation. Newly in love, he is beginning to put a difficult past behind him. Then a local college student goes missing, and Will is inexplicably kept off the case by his supervisor and mentor, deputy director Amanda Wagner. Will cannot fathom Amanda’s motivation until the two of them literally collide in an abandoned orphanage they have both been drawn to for different reasons. Decades before, when his father was imprisoned for murder, this was Will’s home. It appears that the case that launched Amanda’s career forty years ago has suddenly come back to life—and it involves the long-held mystery of Will’s birth and parentage. Now these two dauntless investigators will each need to face down demons from the past if they are to prevent an even greater terror from being unleashed.

Karin Slaughter has sold more than 30 million copies of her books, is published in 32 languages and regularly tops the best-selling lists in numerous countries. Criminal is part of the Will Trent series which takes place in Atlanta and features GBI special agent Will Trent, his partner Faith Mitchell and Angie Polaski.

 

Berlin Circle

Berlin Circle begins with the Fall of the Berlin Wall on November 9, 1989 at the Berliner Ensemble and ends with a custody battle over the infant Karl Marx Honecker…

This satirical look at the end of the Cold War through a vaudeville lens brings together the real figures of Heiner Müller, Warren Buffet and Erich Honecker with a host of fictional ones to ask whether this war actually had a victor…

Inspired by The Chalk Circle (Huilan ji) a Chinese zaju play by Li Qianfu, written in the Yuan Dynasty (1271-1368), which inspired The Chalk Circle by the German poet Klabund, which inspired Bertolt Brecht’s Caucasian Chalk Circle, which inspired the Beijing opera production of Huilan ji by Hu Zhifeng.

True to the spirit of the playwright, who claims “there is no such thing as an original play”, Berlin Circle serves as the point of departure for our larger project 25 Jahre Mauerfall or: How I Learned to Stop Worrying and Love the Ossis/Wessis and the themes contained within it served as inspiration for We Are the Play by SISYPHOS, DER FLUGELEFANT (SdF) and Nasty Peace by copy & waste.

This scenic presentation offers the opportunity of experiencing Mee’s urtext before attending these dynamic, site-specific performances.

Charles_L_MeeCharles Mee has written Big Love and True Love and First Love, bobrauschenbergamerica and Hotel Cassiopeia, Orestes 2.0 and Trojan Women A Love Story, and Summertime and Wintertime among other plays–all of them available on the internet at www.charlesmee.org, and, as a free iPhone app at the iPhone app store.

His plays have been performed at the Brooklyn Academy of Music, American Repertory Theatre, New York Theatre Workshop, the Public Theatre, Lincoln Center, the Humana Festival, Steppenwolf, and other places in the United States as well as in Berlin, Paris, Amsterdam, London, Brussels, Vienna, Istanbul and elsewhere.

He was honored with a full season of his plays at the Signature Theatre. Among other awards, he is the recipient of the gold medal for lifetime achievement in drama from the American Academy of Arts and Letters, two Obies, of a Laura Pels Award, the Booth Award, and of the Richard B. Fisher Award.

He is also the author of a number of books of history (Meeting at Potsdam, The Marshall Plan, The End of Order) that have been selections of the Book of the Month Club and the History Book Club. He is the former editor-in-chief of Horizon magazine, a magazine of history, art, literature, and the fine arts. And he is a lifetime trustee of the Washington think tank, The Urban Institute.

His work is made possible by the support of Jeanne Donovan Fisher and Richard B. Fisher.

The Berlin Circle Audio Walk

On November 9, the world will mark the 25th anniversary of the Fall of the Berlin Wall and with it the beginning of the end of the so-­called Cold War between the capitalist west and communist east, ensuring the dominance of our current globalized market economy. A quarter of a century later, what does all this mean?

Ten years after the Fall of the Wall, noted US playwright and historian Charles Mee wrote Berlin Circle, a collage­like collection of spectacular events set on November 9, 1989 which takes a decidedly satirical look at the end of East Germany and the western feeding frenzy that descended upon the former state property.

This binaural audio walk with original dialog through the real locations of Berlin Circle is led by the Producing Artistic Director of ETB | IPAC, Daniel Brunet, and will take the audience from the Berliner Ensemble through Checkpoint Charlie to the Pergamon Museum. Actors have been recorded performing dialog from Mee’s text at these locations that the audience will listen to via headphones, visually juxtaposed with the present reality of these sites and the cityscape between them. A binaural soundtrack of the route itself accompanies all of this as a third level of time lapse with recordings made several weeks earlier on the same day of the week and at the same time of day.

The Berlin Circle Audio Walk serves as an introduction to the larger ETB | IPAC project 25 Jahre Mauerfall or: How I Learned to Stop Worrying and Love the Ossis/Wessis.

Charles_L_Mee

Charles Mee has written Big Love and True Love and First Love, bobrauschenbergamerica and Hotel Cassiopeia, Orestes 2.0 and Trojan Women A Love Story, and Summertime and Wintertime among other plays–all of them available on the internet at www.charlesmee.org, and, as a free Iphone app at the Iphone app store. His plays have been performed at the Brooklyn Academy of Music, American Repertory Theatre, New York Theatre Workshop, the Public Theatre, Lincoln Center, the Humana Festival, Steppenwolf, and other places in the United States as well as in Berlin, Paris, Amsterdam, London, Brussels, Vienna, Istanbul and elsewhere.

He was honored with a full season of his plays at the Signature Theatre. Among other awards, he is the recipient of the gold medal for lifetime achievement in drama from the American Academy of Arts and Letters, two Obies, of a Laura Pels Award, the Booth Award, and of the Richard B. Fisher Award.

He is also the author of a number of books of history (Meeting at Potsdam, The Marshall Plan, The End of Order) that have been selections of the Book of the Month Club and the History Book Club. He is the former editor-in-chief of Horizon magazine, a magazine of history, art, literature, and the fine arts. And he is a lifetime trustee of the Washington think tank, The Urban Institute.

His work is made possible by the support of Jeanne Donovan Fisher and Richard B. Fisher.