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Bette Davis…“Fasten Your Seatbelts!”

A performance trip through the glorious ups and the dramatic downs of a Hollywood life

Bette Davis was one of Hollywood’s greatest stars. Between 1931 and 1989, she acted in more than a hundred films, won the Oscar twice and was nominated another eight times. Some of the greatest movies in motion picture history – Of Human Bondage, Jezebel, What Ever Happened to Baby Jane?, or All About Eve – are Bette Davis films. She was uncompromising, fought for better scripts, had no qualms about playing antagonistic characters and always wanted to be authentic. Davis was a living example that you can have a career and stay true to yourself – if you’re prepared to pay the price of loneliness. A life worthy of a movie.

“Bettina Lohmeyer as Bette Davis in ‘Fasten Your Seatbelts’ ignites into originality and pure entertainment. An evening of blazing theatrical fireworks. Brilliant – it soars!” Joe Franklin, Bloomberg Radio, New York City, 2014

In six scenes, Bette Davis…“Fasten Your Seatbelts!” highlights a life full of triumph and successes, love, tragedies and confrontations. Bettina Lohmeyer takes the audience to a duel with movie mogul Jack Warner in his office, to a cemetery in Maine, to a lonely home, back to shooting on set in Los Angeles, to the Oscar ceremony and finally to the last chapter in Bette Davis’ life…

A dream comes true: upon the invitation of U.S. director and producer Susan Batson, Bettina Lohmeyer developed, wrote and performed her play “Bette Davis… “Fasten Your Seatbelts!” in Batson’s studio theater in New York. After intense research, including interviews with Bette Davis’ contemporaries, Bettina Lohmeyer staged the Davis myth: hard as nails, quick-witted, assertive and just as uncompromising, vulnerable and full of humor.

Bettina Lohmeyer was an ensemble member at Maxim Gorki Theater for six years and also worked at Schauspielhaus Hannover, Staatstheater Mainz, and Schauspielhaus Graz. She has acted in numerous film and television productions, such as Der letzte Zeuge, SOKO Leipzig, Der Baader Meinhof-Komplex and in a continuous starring role in Hinter Gittern.
Pics: Barbara Braun | Film still: Bette Davis in Of Human Bondage (1934)

 

Nickolas Butler

The U.S. Embassy Literature Series

Nickolas Butler reads from his novel The Hearts of Men (Die Herzen der Männer, Klett-Cotta, 2018)

Camp Chippewa, 1962. Nelson Doughty, age thirteen, social outcast and overachiever, is the Bugler, sounding the reveille proudly each morning. Yet this particular summer marks the beginning of an uncertain and tenuous friendship with a popular boy named Jonathan.

Over the years, Nelson, irrevocably scarred from the Vietnam War, becomes Scoutmaster of Camp Chippewa, while Jonathan marries, divorces, and turns his father’s business into a highly profitable company. And when something unthinkable happens at a camp get-together with Nelson as Scoutmaster and Jonathan’s teenage grandson and daughter-in-law as campers, the aftermath demonstrates the depths—and the limits—of Nelson’s selflessness and bravery.

Nickolas Butler is the author of the novel Shotgun Lovesongs and a collection of short stories entitled Beneath the Bonfire.
Born in Allentown, Pennsylvania and raised in Eau Claire, Wisconsin, he was educated at the University of Wisconsin-Madison and the University of Iowa Writer’s Workshop. His work has appeared in Ploughshares, The Christian Science Monitor, The Kenyon Review Online, Narrative, The Progressive, and many other publications. Along the way he has worked as: a meatpacker, a Burger King maintenance man, a liquor store clerk, a coffee roaster, an office manager, an author escort, an inn-keeper (twice), and several other odd vocations. He received numerous prizes and awards for his work.

 

 

Holly-Jane Rahlens

The U.S. Embassy Literature Series:

Holly-Jane Rahlens reads from her novel Infinitissimo

“The I of my heart says hello to the you of yours.”

The year is 2264. Despite incredible technical advances, scientists of the twenty-third century are at a loss on how to solve the problem of a decimated human population. The young historian Finn Nordstrom, a specialist for turn-of-the-millennium popular culture, is asked to translate newly discovered diaries written in extinct German. Do the vintage diaries of a young girl from the early twenty-first century hold a secret that can revitalize humankind?

Finn Nordstrom lives in a passionless but otherwise worry-free and peaceful world shaped by community spirit, leaps in science, and the promise of immortality. All is well until he begins decoding Eliana’s diaries. Following the progression of her life from page to page, he becomes fascinated by the young girl blooming into womanhood right before his eyes. Asked to test the authenticity of a virtual-reality game set in the twenty-first century, Finn is stunned to find himself face-to-face with the girl. Caught up in a whirlwind of intrigue orchestrated by powerful physicists, Finn is sent unwittingly on a dangerous mission through time.

“Enthralling, knowledgeable and inventive. … A page turner!” dpa/APA
“Rahlens creates an absorbing social utopia, examines the principles of collective harmony, and clothes it in an utterly intriguing and touching love story.”  NDR
“Infinitissimo is touching, witty, spiked with a wealth of original details, and absolutely delightful. It’s a book for readers of all ages!” ekz
“Rahlens’ imagination is as far-reaching as the universe, her word creations are absolutely brilliant and the story is not just fun and games, but profound, philosophical and universal. Infinitissimo forces us to confront what’s important in our lives today.”  Aviva
Holly-Jane Rahlens, a born New Yorker, grew up in Brooklyn and Queens and graduated from Queens College (City University of New York). She moved to Berlin, Germany, soon after, where she has lived virtually all her adult life. While remaining an American citizen, she has flourished in the German media world, working in radio, television, and film as an actress, producer and commentator as well as creating a series of highly praised one-woman shows. She writes fiction for readers of all ages. In 2003 her first novel for teens, Prince William, Maximilian Minsky and Me, earned the prestigious Deutscher Jugendliteraturpreis as the best young adult novel published in Germany. In 2006 the Association of Jewish Libraries named it a Sydney Taylor Honor Book. It has since been published in eight languages and was adapted in 2007 into the motion picture Max Minsky and Me, which has garnered praise and awards around the world.

Nassim


“Dear performer. I want to show you something. Did you know, in Farsi my name is written like this:  ‘.ROUPNAMIELOS MISSAN si eman yM’ ? Did you know ‘Nassim’ means ‘breeze’ in Farsi?”

From Berlin-based Iranian playwright Nassim Soleimanpour comes an audacious theatrical experiment that explores the power of language to unite us in unknown, uncertain times.

No rehearsals. No preparation. Just a sealed envelope and an actor reading a script for the first time. Plus some tomatoes.

WINNER of the Fringe First Award at Edinburgh Fringe 2017

NASSIM follows Soleimanpour’s globally acclaimed White Rabbit Red Rabbit, which has been translated into over 25 different languages and performed over 1,000 times by names including Sinead Cusack, Ken Loach and Whoopi Goldberg including five performances at English Theatre Berlin | International Performing Arts Center in October 2013.

 “A strikingly gentle, humane and emotive consideration of the experience of an artist living and working in the diaspora.” | The Herald

“Emotionally charged theatrical experiment.” | The Stage

“An unusually vivid celebration of theatre’s liveness.” | The Guardian

“As he heightens the audience’s sense of complicity in his art, Soleimanpour makes a quietly persuasive case for theatre’s special power to foster empathy.” | London Evening Standard

Nassim Soleimanpour (playwright and performer) is an independent multidisciplinary theater maker best known for his multi award-winning play White Rabbit Red Rabbit. Nassim’s play Blank premiered in the UK at the Bush Theatre’s RADAR festival in 2015, also playing in Amsterdam and Utrecht with further performances all over the world including at the Edinburgh Fringe and in Argentina, Australia and India. Further plays include Blind Hamlet which premiered at LIFT Festival 2014 prior to a UK tour and productions in Bucharest and Copenhagen. Nassim now lives in Berlin and has been commissioned to write a new play for Teater Momentum (Denmark).
Pics: David Monteith-Hodge / Studio Doug

2018 Expo Info Abend and Artists Mixer

Calling all Berlin-based performing artists! We’re holding an information night and artist mixer for our annual festival! Come by on Tuesday, January 9 beginning at 7pm to meet potential collaborators, see our space and find out everything you need to know to apply to have your work included in the festival! Over the past five years, numerous Expo productions have been created as a result of artists meeting at the festival’s Info Abend and deciding to make new work together.

The Expat Expo | Immigrant Invasion: A Showcase of Wahlberliner is an annual festival conceived and curated by Daniel Brunet that debuted in 2013. We put our Miete where our mouth is with this festival featuring our most important resource – the community of international artists and the English-language Freie Szene.

Over six evenings, the Expo features a curated selection of one or two professional performances per evening on our stage (in every genre imaginable) and on Sunday, April 22, we invite you to ExpLoRE, the format for newcomers, featuring 10 shorter performances and work-in-progress taking place throughout our entire facility, from our stage to our dressing rooms to our breathtaking courtyard.

The 2018 edition of the festival will be held from April 22 – 28, 2018.

This year, we’re looking to showcase one or two professional productions by Berlin-based artists each evening from Monday, April 23 through Saturday, April 28. Works should be between approximately 45 and 105 minutes in length.

We can also consider shorter works for performance throughout our facility or courtyard during the day on April 22, 2018.

Learn more about the festival and see the lineup from last year right here!

Applications for the 2018 Expat Expo are due by midnight on Monday, January 30, 2018 and the complete lineup will be announced on or about February 15, 2018.

HeLa

The Poetic-Scientific Dream-Fate of Henrietta Lacks

a new play by Lauren Gunderson and Geetha Reddy

When Henrietta Lacks, a 31-year-old African-American mother of five was dying of cancer in a Baltimore hospital in 1951, doctors took samples of her tumor cells and gave the cell line the name HeLa. The HeLa cells were the first ones to stay alive outside the human body and multiply. They became an extremely valuable asset in medical research, generating treatments for polio and numerous other drugs. Millions of dollars were made with Henrietta´s cells. HeLa cells are still used for research in countless labs around the world. Henrietta, however, never gave her consent to have the samples taken and was not even asked. It was not until 1975 that her family learned about the connection between Henrietta and the HeLa cells.

In a kaleidoscope of emotional flashbacks, sweet memories and bitter dreams, HeLa explores the story of Henrietta Lacks’ life and death and her posthumous life. It is a tale of love, togetherness and fate, but also of exploitation, neglect and racism.

“Once again, we see how Black families in the U.S. have served us all, at great cost to themselves.”  Theatrius.com

Thomas Chatterton Williams

The U.S. Embassy Literature Series

Race, Identity, and the Boundaries of Blackness: Thomas Chatterton Williams explores what it means to be a black man of mixed-race heritage with a white-looking daughter and a white wife.

A reading and conversation with Rose-Anne Clermont, journalist and author of Bush Girl.

Thomas Chatterton Williams holds a B.A. in philosophy from Georgetown University and a Master’s degree from the cultural reporting and criticism program at New York University. While a student at NYU, his op-ed piece, “Yes, Blame Hip-Hop,” struck a deep nerve when it ran in the Washington Post, generating a record-breaking number of comments.
Pic: Luke Abiol

Ariel Levy

The U.S. Embassy Literature Series

Ariel Levy reads from The Rules Do Not Apply (Gegen alle Regeln)

When Ariel Levy left for a reporting trip to Mongolia in 2012, she was pregnant, married, financially secure, and successful on her own terms. A month later, none of that was true. Levy picks you up and hurls you through the story of how she built an unconventional life and then watched it fall apart with astonishing speed. Like much of her generation, she was raised to resist traditional rules—about work, about love, and about womanhood.

In this “deeply human and deeply moving” (The New York Times Book Review) memoir, Levy chronicles the adventure and heartbreak of being, in her own words, “a woman who is free to do whatever she chooses.” Her story of resilience becomes an unforgettable portrait of the shifting forces in our culture, of what has changed—and of what is eternal.

 

Ariel Levy joined The New Yorker as a staff writer in 2008 and received the National Magazine Award for Essays and Criticism in 2014 for her piece “Thanksgiving in Mongolia.” She is the author of the book Female Chauvinist Pigs and was a contributing editor at the magazine New York for twelve years.
pic: David Klagsbrun

Olam HaBa: The Next World

Who was this Polish Jew that pulled his pants down in front of everyone and sat on the holy book with his bare bottom?

Who was this Jakob Frank, revered by his fans as a messiah and who converted from Judaism to Islam and from Islam to Catholicism? Who was persecuted by the powerful in Poland in the 18th century, spent many years in prison in Tschenstochau and whose story came to a strange but happy end in Offenbach am Main?

The performers LeinzLieberman have searched for the motives behinds this mystical messianic movement over the course of multiple trips tracing the footsteps of Jakob Frank. And they let themselves, together with the designer and DJ Markus Wente, be inspired by it in their new performance. They bring motifs and texts of Jakob Frank to the stage and then transform it into images and movements that also reflect the feelings and desires of people in the Berlin art and party scenes. Using both subtle and expansive images, they tell the story of a search for a new world in which all parts are once again integrated into a complete whole.

 

Followed by a post-performance discussion

LeinzLieberman are the performance makers Shlomo Lieberman (Israel/Germany) and Ulrich Leinz (Germany). Over the last three years, their work has been included in three consecutive Expat Expo | Immigration Invasion festivals and we premiered their groundbreaking The Other/Promised Land in the fall of 2016. We are very excited to host them – collaborating with colleagues – as our fall artists in residence, presenting three different works in September, October and November.

Lovers1 will be performed on September 29 and The Other/Promised Land will be performed on October 13.

Songs at the Theatre

Bathe in the sonic and poetic presence of four Berlin-based singer-songwriters from England, Ireland and Estonia.

Each has a unique voice and approach to the challenge of writing the perfect song, Alex Spencer, Viktor’s Joy, Sam Dale and Kilkelly draw on a wide range of musical and lyrical influences and resources.

The evening will not be short of surprises, featuring collaboration and creative cross-pollination on stage with special guests appearing during each set.

Listen to Alex Spencer on SoundCloud and visit her artist page on Facebook

 

 

 

 

Listen to Viktor’s Joy on Bandcamp and visit his artist page on Facebook

 

 

 

 

Listen to Sam Dale on Bandcamp and visit his artist page on Facebook

 

 

 

 

Visit Kilkelly at his official homepage and on Facebook