I’ve always been a celebrity. It’s just that no one knows it yet.
In her one-woman show Celebrity Bound, writer-director Catherine Duquette grapples with the polarities of celebrity and commonness, investigating her own relationship to fame and the personas that influence it. We admire celebrities for daring us to believe that anyone can achieve success, fame and fortune, yet we condemn them for seemingly having it all and for leading glamorous lifestyles that are well beyond our reach.
What are the forces behind celebrity? What drives the cultural phenomenon to simultaneously build and destroy the “Beautiful People”? How does celebrity negotiate the tension between access and excess? Through movement, language, video, scripted and improvised material, as well as audience interaction, Catherine moves fluidly between celebrity and fan, fantasy and reality, confronting her own desire for and repulsion towards becoming celebrity.
Original concept devised in collaboration with Michael Burditt Norton.
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More InformationIn a time dominated by social media, rapid data consumption and curated identities, Berlin-based performer and writer Catherine Duquette strives for closeness and connection. She specializes in audience-performer relationships, movement and improvisational scores. Her performances exact moments of heightened awareness and honesty on stage in an effort to dissolve the barriers that shape how we perceive and (dis)connect with the world around us. Her solo work has been supported by MOMENTUM Berlin, English Theatre Berlin | International Performing Arts Center, a Fulbright Fellowship in Spain, the International Festival of the Delphic Games in Greece and the Subterranean Art House in Berkeley, California. Catherine studied theater at Arizona State University and the British American Drama Academy in Oxford, England. She earned her master’s degree in Performance Studies from New York University prior to relocating to Germany. Despite frequent moves, Catherine calls the Sonoran Desert of Arizona home.
Featuring a short introduction and post-performance discussion on October 22 as part of Theater Scoutings Berlin!

In “Emission,” a hapless drug dealer in Princeton is humiliated when a cruel co-ed exposes him exposing himself on a blog gone viral. “McDonald’s” tells of a frustrated pharmaceutical copywriter whose imaginative flights fail to bring solace because of a certain word he cannot put down on paper. In “The College Borough” a father visiting NYU with his daughter remembers a former writing teacher, a New Yorker exiled to the Midwest who refuses to read his students’ stories, asking them instead to build a replica of the Flatiron Building. “Sent” begins mythically in the woods of Russia, but in a few virtuosic pages plunges into the present, where an aspiring journalist finds himself in a village that shelters all the women who’ve starred in all the internet porn he’s ever enjoyed.



Jamie Collier’s writing style stems from country and blues, with influences from Tom Waits to Gillian Welch. A sensitive acoustic guitar technique, strong melody and a powerful singing voice form the backbone to a captivating performance of storytelling in song. From New Zealand, his musical journey of 9 entirely DIY albums has led him to hold a respectable stance in the craft of songwriting.
The Clockwork Faerie is the project of Berlin-based Johanna Blackstone. It is Clockpunk & Opera Strange. “To tell a story… That is the meaning of my song. The story of forever… Ticking on and on and on…” The Inventor! (Johanna Blackstone), sings with a pure tone voice that seems like a siren over water, playing a resonator ukulele that couldn’t be more fitting. Occasionally accompanied by The Engineer! (Gerrit Haasler), her songs weave together to tell a story of the Assemblage of The Clockwork Faerie.
Will Trent is a brilliant agent with the Georgia Bureau of Investigation. Newly in love, he is beginning to put a difficult past behind him. Then a local college student goes missing, and Will is inexplicably kept off the case by his supervisor and mentor, deputy director Amanda Wagner. Will cannot fathom Amanda’s motivation until the two of them literally collide in an abandoned orphanage they have both been drawn to for different reasons. Decades before, when his father was imprisoned for murder, this was Will’s home. It appears that the case that launched Amanda’s career forty years ago has suddenly come back to life—and it involves the long-held mystery of Will’s birth and parentage. Now these two dauntless investigators will each need to face down demons from the past if they are to prevent an even greater terror from being unleashed.
Charles Mee has written Big Love and True Love and First Love, bobrauschenbergamerica and Hotel Cassiopeia, Orestes 2.0 and Trojan Women A Love Story, and Summertime and Wintertime among other plays–all of them available on the internet at