“Conversations with a Cultural Icon” (II)
In the summer of 1976, pop star David Bowie moves from Los Angeles to Berlin. Why Berlin? Was he attracted by the mixture of Weimar nostalgia, isolated Wall city and niche location for the new music that would later be called Krautrock? In fact, he created radically new music in Berlin in the following two years, recorded both an anthem and a legendary album with `Heroes´, made a curious Weimar-era film with Just a Gigolo, and then disappeared into the pop-synthetic eighties.
“The musical concept of Grosser’s evening works brilliantly …. Just as Bowie’s musical, cinematic and fashionable work has lived from permanent transition and diversity of influence – ready to jump between Krautrock and Expressionism – so is this performance associative and fluid.” Patrick Wildermann / Tagesspiegel
Great review in Tagesspiegel, read it HERE
In 1987, Bowie returned to Berlin to give a concert in front of the Reichstag, a stone´s throw away from the Wall. East Berliners who came to the Brandenburger Tor to listen started shouting “Bring down the Wall” – the first domino in a series of many that led to the fall of the Wall?
With a performative mixture of music, dance and text, Bowie in Berlin – as the second part of the series “Conversations with a Cultural Icon” after Jaws / Der weiße Hai – explores the area where pop touches our lives: as music, as film, as art, as an attitude to life.
Today, the three albums of the so-called `Berlin Trilogy´ are considered the artistic highlight of David Bowie´s career.With his creative curiosity, he went through very different artistic phases in the course of his long career, thus appealing to a new audience each time, and ultimately even to a new generation.
Nowadays, David Bowie is no longer just a pop star, but an important artist, to whom renowned museums dedicated a major exhibition ten years ago. Berlin officials even had a plaque placed on his home in Schöneberg.
Somehow, Bowie touches everyone. How? What does he have to say? What makes him a pop star, what makes him an artist? And why Berlin?


Susan Bernofsky studied comparative literature at Princeton University and creative writing in Washington. Since 1993 she has been a translator of German-language literature, both of classics such as Thomas Mann, Franz Kafka and Robert Walser and of contemporary authors such as Jenny Erpenbeck, Yoko Tawada and Uljana Wolf. She has received many awards for her translations, including the Helen and Kurt Wolff Translator’s Prize in 2006 and the Warwick Prize for Women in Translation in 2017. In 2020, she was a Berlin Prize Fellow of the American Academy for her work on a new translation of Thomas Mann’s Zauberberg. Susan Bernofsky chaired the Translation Committee of the PEN American Center in New York, served on the board of the American Literary Translators Association, and curated the “Festival Neue Literatur” for three years, introducing German-language authors to a New York audience. A professor of creative writing at Columbia University in New York, she directs the Literary Translation Program.