After months of anticipation, here is your one-time chance to get a sneak peek of this year’s BIYT production, Into the Haystack! Log off, liberate yourself from your sofa and come on down for a preview of this original play about secrets and surveillance, written BIYT’s very own Isaiah and featuring a cast of thousands (actually it’s only a cast of 18 but it looks like a lot more…)
Visit an eclectic theater flea market (without the fleas) offering
- Costumes and props
- Books, CDs
- Games, toys
- Fashion
- Collector’s items
- Oddities and priceless junk
There will also be homemade baked goods, refreshments, games and prizes for young and old alike!
And, of course, feel free to bring your own toy for our legendarily ludicrous BIYT Wind-Up Toy Race!
Featuring special live music and a sneak peek of Into the Haystack, which will run from May 22 – 24, 2015!
In 2015 as well, Die Gorillas have invited improv artists from 13 different countries to improvise together. The 14th edition of IMPRO will be held from March 13-22, 2015 and once again, we are delighted to serve as one of the festival’s hubs and bring you three different shows, including a very special event: the festival ensemble will improvise the story of a Berlin family from the 1920s to the present over six consecutive nights: The Hoffmanns – A Berlin Family Story. A different year in the family story will be presented each night. 1925 will be followed by 1937, 1955, 1970, 1990 and end in the year 2015. The audience will accompany a Berlin family on a very special journey through time over multiple generations. Even Die Gorillas are excited to see how this improvised family saga will turn out!
This is the first scripted, non-improvised theater performance that we’ve ever presented during the 14 years of our festival – the focus of this solo is the very international family history of Marko Mayerl of Strasbourg, whose ancestors are from Finland, Germany, Russia and France. A father tells his son who is in hospital the story of their family. It’s an odyssey spanning several European epochs which makes the son forget that he is seriously ill. A Finnish woman marries a Russian, who defies his father’s wish for him to become an orthodox priest. A Frenchwoman, pregnant with her first child, marries a pilot of the German air force while World War II is raging. This autobiographical play, full of tenderness and humor, prompts us to take a look at how we deal with our own family history. Which part of our heritage is acceptable for us to take on, which part do we reject and why?
“My father’s wife died. My mother said we should drive down to his place and see what might be in it for us.” – So begins the story of teenage half-sisters Eva and Iris in this brilliantly written, deeply moving, and fantastically funny novel by the beloved and critically acclaimed author of Away. Disappointed by their families, Iris, the hopeful star, and Eva, the sidekick, journey across 1940s America in search of fame and fortune. Iris’s ambitions take the sisters from small-town Ohio to an unexpected and sensuous Hollywood, across the America of Reinvention in a stolen station wagon, to the jazz clubs and golden mansions of Long Island. With their friends in high and low places, Iris and Eva stumble and shine through a landscape of big dreams, scandals, betrayals, and war. Filled with memorable characters and unexpected turns, Lucky Us is a thrilling and resonant novel about success and failure, good luck and bad, and the pleasures and inevitable perils of family life. From Brooklyn’s beauty parlors to London’s West End, these unforgettable people love, lie, cheat, and survive in this story of our fragile, absurd, heroic species.
Amy Bloom is author of two novels, three collections of short stories, and a nominee for both the National Book Award and the National Book Critics Circle Award. Her most recent novel, Away, was an epic story about a Russian immigrant. Her recent collection of short stories, Where the God of Love Hangs Out, came out in January 2010. She lives in Connecticut and taught at Yale University for the last decade. She is now Wesleyan University’s Distinguished University Writer in Residence.
Set in the rugged region of the Midwest that gives the novel its title, The Driftless Area is the story of Pierre Hunter, a young bartender with unfailing optimism, a fondness for coin tricks, and an uncanny capacity for finding trouble: When his girlfriend gets pneumonia, Pierre is banished from the hospital. When he goes skating on the lake, he finds the lone stretch of bad ice. And when he falls in love, with the mysterious and isolated Stella Rosmarin, Pierre becomes the central player in a revenge drama he must unravel and bring to its shocking conclusion. Along the way he will liberate $77,000 from a murderous thief, summon the resources that have eluded him all his life, and come to question the very meaning of chance and mortality. For nothing is as it seems in The Driftless Area. Identities shift, violent secrets lie in wait, the future can cause the past, and love becomes a mission that can take you beyond this world. In its tender, cool irony, The Driftless Area recalls the best of neonoir, and its cast of bona fide small-town eccentrics adrift in the American Midwest make for a clever and deeply pleasurable read from one of our most beloved authors.
Tom Drury is the author of Pacific, The End of Vandalism, Hunts in Dreams, The Driftless Area, and The Black Brook. His fiction has appeared in The New Yorker, Harper’s, and the Mississippi Review. Drury has been a Guggenheim Fellow and was named one of Granta‘s “Best Young American Novelists.” He lives in New York.
Set in 1938 Berlin and drawing heavily upon history, the play imagines a story that examines universal questions of self and citizenship primarily through the eyes of a patriotic Afrodeutscher (Afro-German) actor. Proud to serve his country, he appears in propaganda films calling for the return of Germany’s former African colonies. An encounter with an African-American musician and activist leads to hard questions about the treatment of people of color both in Germany and in the United States of America.
Isaac Newton wants to become a member of the Royal Society. Catherine wants to start a family.
Lucas Hnath is one of the most promising voices in contemporary US theater. His other plays include Death Tax (Humana Fest/Steinberg Award), NightNight, A Public Reading of an Unproduced Screenplay about the Death of Walt Disney (Soho Rep) and Red Speedo (Studio Theatre, Washington DC). A resident playwright at New Dramatists since 2011, Lucas Hnath has enjoyed playwriting residencies with The Royal Court Theatre, London and 24Seven Lab, New York. He is a two-time winner of the Alfred P. Sloan Foundation Grant for his feature-length screenplays, The Painting, the Machine and the Apple and Still Life. He received both his BFA and MFA from NYU’s Department of Dramatic Writing and is a lecturer in NYU’s Expository Writing Program.
Isaac’s Eye is part five of