etb English
Theatre
Berlin
International Performing Arts Center




Blog Archive

Musical Theater Workshop

In this workshop we will focus on the most famous song in Rent, “Seasons of Love.”

At the beginning of the workshop, we will begin with a short physical warm-up which in turn already begins to warm up the voice. We will then proceed to a vocal warm-up to prepare you for working on the song.

During the majority of this workshop we will learn the lyrics, divide you into two vocal parts and learn both melody and harmony accordingly. We will also learn simple choreography that can be executed while singing without detracting from the importance of the lyrics but rather, enhance them. We will then work on presentation and singing with intention to truly bring the song alive.

Paul Chernosky comes from a dance and musical theater background. Trained in classical ballet, jazz, musical theater and tap, he later trained as a scholarship recipient at New York University’s Tisch School of the Arts in modern dance and choreography. He has studied musical theater with Broadway choreographers including Chet Walker and Christopher Chadman – who both worked under Bob Fosse. He has performed in ballet and modern companies as well as many musical theater productions including national US tours of Hello Dolly and West Side Story, a European tour of
42nd Street as well as in Radio City Music Hall’s Christmas Spectacular. He has worked as an independent choreographer including for a studio performance for new choreographers with the Komische Opera in Berlin and with Alvin Ailey’s Performance Showcase Company which performed at Lincoln Center. He also worked as a teacher at Alvin Ailey in NYC for more than 10 years including teaching company class. He has been a guest teacher in modern, musical theater and
tap throughout many European cities as well. Paul has also been a tango teacher for 12 years and has made two short films. His film Milonga Gay has been screened at many international film festivals in the US, Canada and Europe.

Improv Comedy With Good Luck, Barbara!

Berlin’s own Good Luck, Barbara! brings their special blend of long-form improvised comedy to ETB | IPAC!

A suggestion or two from you sparks 60 minutes of first rate tomfoolery – hilarious scenes interspersed with true-to-life monologues. Pretty much anything can happen, and it’s all made up before your very eyes by some of the best improvisers this city’s got to offer.

Formed in 2013, Good Luck, Barbara! is a long-form improv group that performs regularly across Berlin. With experienced players who each bring unique qualities to the table, GL,B! offers a fresh dynamic to the English language comedy scene in Berlin. The group is: Tess Degenstein (Canada), Andrew Reid (Canada), Chris Rock (USA), Josh Telson (USA) and Noah Telson (USA).

Stamped

Stamped is equally inspired by the chronology and events leading up to, during, and following the construction and fall of the Berlin Wall as it is with our own personal experiences as immigrants in Germany in a Post Wall world.

The moments of alienation, paranoia, exhaustion, feelings of belonging, and of not belonging are drawn from historical accounts, but also deeply drawn from our daily lives. In this exploration, our wall is a wall but it is also a boundary, a border, a social construct around us. It is a suggestion that we’re safer inside of it and that whatever is happening outside is inferior. It is a quiet, imposing power. It’s very presence traps us in a world which we didn’t choose. In this world, as in our world, there is a fear of losing individual identity, and a struggle to maintain one’s self.

Leah Katz earned a BFA in dance from SUNY Purchase Conservatory of Dance in New York. She went on to dance with Corbindances, Sidra Bell, Kevin Wynn, TakeDance, Yung-li Chen, and Gretchen Garnett & Dancers.  She participated in the Bessie Schoneberg Residency at The Yard in 2009, dancing in works by Rachael Lincoln and Joshua Monten.  Based in Berlin since 2010, Leah has performed with the Deutsche Oper Berlin and the Staatsoper Berlin, as well as with Leyya Tawil/Dance Elixir, Gretchen Garnett, Ariel Cohen, Liz Magic Laser, Liz Erber and Sally Richter.

Sally Richter completed her BA in dance at the Western Australian Academy of Performing Arts (WAPPA) in 2005. She has worked with choreographers Chrissie Parrot, Gavin Webber (Dance North), Eun Me-Ahn, Alice Lee Holland, Aimee Smith, Lucy Suggate and Canan Erek with performances in Columbia, South Korea, England, Germany, Austria and Australia. She has choreographed the works Three Lovely Ladies, Private Thought, Public Space, Recoil and Crossed-Wires created for Bachelor’s students at WAAPA. She has been based in Berlin since 2010 where she now works in collaboration with Leah Katz.

A temporary monument to the outsider

A temporary monument to the outsider is an expanded cinema piece, exploring the condition of the outsider in an unknown territory, a sublime terra incognita.

Weaving together film, pre-recorded sound, live music and projections, the performance unravels into a mini-opera told through a series of audiovisual performative scenes.

Oh-My!

Oh-My! is a 2-part show alluding to the representation of women in the 1950s: the oppressed woman vs. the “liberated” woman, represented by the Pin-Up Girl; kitschy fictitious women, trapped in ideas and thoughts dictated by a male-dominated society extreme to the point of near caricature.

The show is inspired by images from Pop artist Roy Lichtenstein and comprised of video art, aerial acrobatics and the performance art of burlesque.

Photo by Alon Hadar

Photo by Alon Hadar

Call Me Reality

“Of course I´m not perfect. I love my life and I have been lucky but I’m not perfect. I made my mistakes. I just followed the voice inside me. This damned voice inside has driven me somewhere, and I can’t come back.” Bob about himself

“I want to be honest with you. The only present I can offer.

I chose the place and the time. I share my world with you.

You are allowed to see what you want, it´s your time” Bianca to you

Sometimes we need illusions to survive and we create a world that doesn’t correspond to reality.

We need to stay in a comfortable space. We are scared to leave. We have fear. We want security. We escape in our mental constructions and we finally find ourselves again.

Balancing on the two levels of reality and dream, the piece focuses on the theme of identity. Using psychological violence, an apparently stronger person tries to confirm herself and her existence destroying someone who appears weaker.

 

Southern Promises

When the master of the plantation dies, he wills his slaves to be freed, but his wife doesn’t think that good property should be squandered. Pandemonium ensues. The play is inspired by the true story of Henry Box Brown who escaped to the north by mailing himself in a box.

Thomas Bradshaw’s plays have been produced at regional theaters, in NYC as well as in Europe. In 2012, the Flea Theater successfully produced his play Job and in 2011, his play Burning ran to rave reviews at the New Group/NYC and the Goodman Theater produced his play Mary, which they had previously commissioned. His play The Bereaved, produced by Partial Comfort, was named one of the Best Plays of 2009 in Time Out New York and was a New York Times Critic’s Pick. The Bereaved was subsequently produced at The State Theater Of Bielefeld in Germany and presented in Berlin. In 2008, two of his plays premiered in NYC: Southern Promises, at Performance Space 122 in September, and Dawn, at The Flea Theater in November, and both were listed among the Best Performances of Stage and Screen for 2008 in The New Yorker. His plays Purity, Prophet, and Strom Thurmond is Not a Racist and Cleansed were produced in NYC. A German translation of Dawn was presented at Theater Bielefeld in Germany in October 2008 and published by Theater Der Zeit in that same month. Mr. Bradshaw received his M.F.A. from Mac Wellman’s playwriting program and is Professor of Playwriting at Northwestern University.

Info Abend for the 2014 Expat Expo: A Showcase of Wahlberliner

English Theatre Berlin | International Performing Arts Center puts its Miete where its mouth is with our annual festival featuring our most important resource – the community of international artists and the English-language Freie Szene.

The Expo has three components: evening performances, daytime workshops and family-friendly programming as well as the Expat Markt, a weekend-long marketplace cum performance installation featuring the goods and services of international visual artists, business owners and performers. Each evening features a curated selection of performances by multiple artists (in every genre imaginable) taking place throughout our entire facility, from our stage to our dressing rooms to our breathtaking courtyard.

Do you want to be part of the 2014 Expat Expo? Come to the Info Abend on April 16 at 7pm to find out how to apply!

Expat Expo: June 9 – 13, 2014

Expat Markt: June 14 + 15, 2014

Bring-A-Thing

What the hell is Bring-A-Thing???

Oskar Brown’s 100% improvised storytelling madness. YOU, the audience, bring a “THING”. It can be any “THING”, from the mundane to the unmentionable.

You place the “THING” in the cardboard box on stage, take your seat and let Oskar Brown transport you into his wacky world. Everyone should bring a “THING” and be ready for everything, because anything can happen. Don’t worry! Every “THING” will be returned after the show. Unbroken, undamaged, unconsumed and unsexed…

“He is gifted in his ability to craft imagery with words and a pretty charming and engaging way of going about it. It is an hour show that feels like 10 minutes, leaving everyone wanting more.” (Broadway World Magazine)