etb English
Theatre
Berlin
International Performing Arts Center




Blog Archive

FRATZ International

FRATZ International 2024
Encounters – Symposium – Festival for the very young

FRATZ International was created in 2013 by Theater o.N. in Berlin and has since invited the international children’s theater community to Berlin six times. Every two years, FRATZ presents remarkable guest performances in Berlin. It also hosts a symposium to discuss and explore the latest developments in dance and theater for very young audiences. Colleagues from all over the world meet in Berlin for this international exchange.

English Theatre Berlin | International Performing Arts Center is very pleased to partner with FRATZ International for the 2024 edition of the festival, serving as the venue for performances of Fields of Tender, an immersive durational dance performance for babies and children with disabilities as well as Luft, a dance performance for all ages. On October 13, at 6pm, we will also host a lecture by Dalija Acin Thelander, the artist behind Fields of Tender, exploring her research.

Fields of Tender | Dalija Acin Thelander | Sweden

An Immersive Durational Dance Performance for Babies and Children with Disabilities

Fields of Tender is an enchanting and playful, dance performance, which immerses you in an imaginary world of tenderness, affection and love. Within this awe-inspiring, sensual world, the extravagant and peculiar events interlace with ethereal and gentle ones. The performance flow welcomes the audience’s curiosity as well as provides them with a calm and intimate space for relaxation.

Duration: durational (150 minutes)

Tickets for Fields of Tender are available on Sunday, October 13 at 11am and at 3pm and on Monday, October 14 at 2:30pm

The performances on October 13 at 11am and on October 14 at 2:30pm are intended for neurotypical babies from 6 months to 24 months as well as neurodivergent babies & children and children with disabilities up to 4 years of age.

The performance October 13 at 3pm is intended for neurodivergent children and children with disabilities from 5 to 10 years of age.

On Sunday, October 13 at 6pm, Dalija Acin Thelander will present a lecture on her research Towards Sensuous Ecologies, Rethinking Ableism in Choreographic and Movement Practices, focused on developing new transdisciplinary artistic methods that are attuned to neurodivergent perception, enabling the experience of communality, inclusiveness and empowerment through immersion, choreography and body practices.

Admission to the lecture is free of charge.

Luft | Nir de Volff & Theater o.N. | Germany

A Dance Performance for All Ages

What happens to the air we breathe into our bodies? How can we use our own breath to find freedom in the body and connect with others? The breath is the simplest and yet most complex personal tool to express our self. All of our joy, happiness, fears, emotional heaviness, and traumas reside in our chest, not just in our brain or under our skin.

Tickets for Luft are available on Wednesday, October 16 at 10am and on Thursday, October 17 at 10am

Concept and Choreography by Nir de Volff | Performed by Medhat Aldaabl, Mouafak Aldoabl and Renan Manhães | Costume Design by Moran Sanderovich | Music Composed by Daniel Benyamin

Where Ye From?

By Growler

Meet Growler, the 82-year-old drum banging, shamanic vulva from the Liberties in Dublin.

Wise as witches with a tongue like a lash and a heart of gold, she will take you on an alchemical theatrical journey.

Using storytelling, song, spoken word and comedy, her mission is to give voice to the voiceless and to transmute the shite out of the female collective trauma.

The performance on November 9th will inaugurate Growler’s Sofa Sessions and feature visiting musician Damien Dempsey and Berlin-based Wallis Bird in a one-night-only event called Songs From the Holywell!

This promises to be a very special night of storytelling, song and conversation between kindred spirits.

“The beauty of Growler is in its roughness, its erratic meandering, its refusal to be one thing or another. It has a sacred chaos of its own, in which Mulrooney thrives.”
The List

Rhythm in Sediment

The very first performance of new work-in-progress by Anna Lublina, followed by a post-performance discussion.

This research seeks to access ancestral knowledge through synchronization: a process of syncing one’s body rhythms with the rhythms of other people, objects or environments. Emerging from archival research on different forms of shared Jewish-Muslim rhythm—Uzbeki Shashmaqam music, prayer, agricultural practices, etc.— we explore tap dance, extended vocal techniques and live mixing to embody specific rhythms and synchronize with the worlds they emerge from.

How do these rhythms from historical moments of Muslim-Jewish conviviality generate different physicalities, states, tensions or intelligences in our bodies? What can these convivial rhythms teach us in a time marked by separation and violence?

This research has been funded by the Ottilie Roederstein Stipendiem from the Hessian Ministry of Science, Research, Art and Culture, Frankfurt Kulturamt and Giessen Kulturamt.

Anna is a current LABA Berlin Fellow, participating in the 2024 Muslim—Jewish creative study and exchange program called “Mar’a’yeh: A Night’s Journey”. This event is part of a month-long (ending 8.12) exhibition at Künstlerhaus Bethanien, details of which can be found here. For other upcoming LABA Berlin events and more information, please visit www.laba.berlin and follow (@lababerlin) on Instagram.

Colonizing The Skies

The very first presentation of new work-in-progress by Noémi Ola Berkowitz, followed by a post-performance discussion.

The sky has long been a place of comfort, spirituality, looking upward, and fantasy. But the colonization that marks the rise of empires and nations on land now threatens our atmosphere. The unique combination of technology and ancient stories in the skies above prompted Noémi (who presented new work-in-progress in our 2017 Expo Festival) to gaze upward for this next theatrical project.

With Dena Abay, Djibril Sall and Pamela Moraga

The Money Piece

The very first work-in-progress performance of a new solo by Alexander thomas, followed by a post-performance discussion.

Cash, Jack, Scratch…Moolah.

No matter what you call it, they say that money makes the world go round and most of us seem to spend far too much time thinking about it.

We are very pleased to welcome back actor and playwright Alexander Thomas (Schwarz gemacht) to share and perform the very first work-in-progress showing of his new solo, The Money Piece.

Ayana Mathis

The U.S. Embassy Literature Series – A reading and discussion with Ayana Mathis, moderated by Sharmaine Lovegrove

Two bold, utopic communities are at the heart of Ayana Mathis’s searing follow-up to her bestselling debut, The Twelve Tribes of Hattie.

Bonaparte, Alabama – once 10,000 glorious Black-owned acres – is now a ghost town vanishing to depopulation, crooked developers, and an eerie mist closing in on its shoreline. Dutchess Carson, Bonaparte’s fiery, tough-talking protector, fights to keep its remaining one thousand acres in the hands of the last five residents. Meanwhile, in Philadelphia, her estranged daughter Ava is drawn into Ark – a seductive, radical group with a commitment to Black self-determination in the spirit of the Black Panthers and MOVE, with a dash of the Weather Underground’s violent zeal. Ava’s eleven-year-old son Toussaint wants out – his future awaits him on his grandmother’s land, where the sounds of cicada and frog song might save him if only he can make it there.

In Mathis’s electrifying novel, Bonaparte is both mythic landscape and spiritual inheritance, and 1980s Philadelphia is its raw, darkly glittering counterpoint. The Unsettled is a spellbinding portrait of two fierce women reckoning with the steep cost of resistance: What legacy will we leave our children? Where can we be free?

 

 

 

Ayana Mathis is the author of The Twelve Tribes of Hattie (Knopf, 2012) and The Unsettled (Knopf, 2023). The Unsettled was named a New York Times and Washington Post Notable Book of 2023, a best of 2023 by The New Yorker, Publisher’s Weekly, an Oprah Daily Best Novels of 2023, and a Kirkus Reviews Best Books of 2023. The novel was a finalist for the 2024 Hurston-Wright Legacy Award. The New York Times calls it, “Poignant, heartbreaking.”

Her first novel, The Twelve Tribes of Hattie, was a New York Times Bestseller, the second selection for Oprah’s Book Club 2.0, a 2013 New York Times Notable Book, NPR Best Book of 2013, and was long listed for the Dublin Literary Award and a finalist for Hurston-Wright Foundation’s Legacy Award. Mathis’s essays and criticism have been published in The New York Times, The Atlantic, The Washington Post, T Magazine, The Financial Times, Rolling Stone, Guernica and Glamour. Currently pursuing her Masters of Divinity at Union Theological Seminary, Mathis’s most recent nonfiction explores the intertwining of faith and American literature in her multi-essay New York Times series “Imprinted By Belief”.

Her work has been supported by the New York Public Library’s Cullman Center for Scholars and Writers, the Civitella Ranieri Foundation, and the Bogliasco Foundation. She was a 2024-2025 American Academy in Berlin Prize Fellow. Mathis received her MFA from the Iowa Writers’ Workshop and went on to become the first African-American woman to serve as an Assistant Professor in that program. She currently teaches at Hunter College in the MFA Program.

 

Sharmaine Lovegrove is the Managing Director of Dialogue Books, a brand-new division of Hachette UK with the remit of Inclusion, Inspiration and Innovation, the publishing division is a home for a variety of stories from illuminating voices often missing from the mainstream.

Sharmaine was the recipient of the Future Book Publishing Person of the Year 2018/19 and is inspired by innovative storytelling, and has worked in public relations, bookselling, events management and TV and Film scouting. She was the literary editor of ELLE and established a bookshop and creative agency in Berlin.

Sharmaine serves on the boards of The Black Cultural Archives and Bookshop.org UK and is a founding organizer of The Black Writers Guild. Home is London, she lives in Berlin and her roots are Jamaican – Sharmaine is proud to be part of the African diaspora and books make her feel part of the world.

Salvation (Glitter Doesn’t Care I’m A Boy)

A science fiction drag ritual and an experimental invocation for a constant distribution of desires based on visions and fantasies Shlomi Moto Wagner has experienced since he was three years old.

It explores transformations, mutations and remanifestations of the idea of being, the sensuality of being a body, the politics of having
a body and the poetics of sharing a bodily experience.

This solo music theater piece is a mythological and poetic reading of current pop culture and its academic discourse. The music of ancient
Jewish texts and invocations together with visionary tunes of composer Hildegard von Bingen from the 12th century is newly arranged with pop hits, techno compositions and contemporary feminist texts. All of this makes the opera performance a ritual of transformation.

You are currently viewing a placeholder content from YouTube. To access the actual content, click the button below. Please note that doing so will share data with third-party providers.

More Information

Shlomi Moto Wagner is Mazy Mazeltov, is Wendy Williams, is Wisława Szymborska, is Fran Drescher, is Hélène Cixous and her Medusa is David Copperfield and Claudia Schiffer IN ONE BODY! And much, much more.

So, what is reality here and what is fiction? In times where a part of society wants to return to the gender roles of the 1950s, or even the 1940s, it is that much more critical to celebrate a festival of the imagination. Let’s make magic. And what comes out at the end? A concert, a drag queen musical, a monologue slam, a magic show, a bar mitzvah or simply a party with the people? Are the props ready? Powder, lipstick and glitter? All right!

Vortex

Immerse yourself in the mesmerizing world of sound and light at Vortex – the newest rendition of the renowned Piano & Light concert series. Join creators Mirella Brandi and Muep Etmo as they return to Berlin for this exclusive performance on September 13 and 14 at 8 PM!

The MXM Duo transcends traditional stage boundaries with an immersive concert experience. Comprised of Mirella Brandi and Muep Etmo, MXM is already recognized in Berlin’s contemporary art scene for their captivating performances. Their interpretation of contemporary compositions for piano and light creates a sensory masterpiece.

Mirella Brandi is a light art designer and Muep Etmo is a musician, composer and sound engineer. They explore the complex relationship between light and music through immersive, multidisciplinary performances that synthesize concepts from cinema, contemporary music, and visual arts.

Get ready to elevate your senses and be transported by new dimensions through light and music!

Rita Bullwinkel

German Book Release – Headshot | Schlaglicht

“With language that floats like a butterfly and revelations that sting like a bee, Bullwinkel takes the gloves off teenage girlhood, leaving it splayed out in all its wonder, humor, violence, and glory.” – Oprah Daily

Join us for the German book release of Rita Bullwinkel’s acclaimed debut novel Headshot, translated as Schlaglicht. Hailed as one of 2024’s most anticipated novels by The Washington Post, NYLON, Lit Hub, and others, we will celebrate the translation into German!

Schlaglicht unfolds the compelling narratives of eight teenage girl boxers in Reno, Nevada, each fighting for the national title and grappling with their personal quests for control, perfection, and the thrill of combat. Authored with a blend of raw emotion, ecstatic moments, and unexpected humor, Bullwinkel’s novel explores the intricate emotional landscapes of its characters.

We are thrilled to announce that Rita Bullwinkel will be present to discuss her journey in creating this novel. She will be joined by Christiane Neudecker, who translated the novel into German and brings her own rich experiences from the world of boxing! The discussion will be moderated by Teresa Bücker, ensuring an evening rich with insights into the themes of boxing, femininity and the challenges young female athletes face.

Join us to see how Schlaglicht casts new light on the literary and boxing worlds alike.

Second Class Queer

Actor and writer Kumar Muniandy questions his identity, queerness, internalized homophobia and experiences of racism with his play. In the midst of these terms and their politics, Kumar seeks his own truth.

Is it possible to live as a brown gay man in Germany and find healing while carrying the weight of oppression from his motherland? Set in a speed-dating event, will Kumar’s leading man, Krishna, win the role he wants in this audition for love?

Through the lens of his experience as a Tamil-Malaysian queer person living in Berlin, Kumar Muniandy has developed a theater piece that investigates the connections between internalized homophobia that stems from anti-homosexuality laws of the colonial era and the structural racism he experiences.

What are the consequences of such merciless neocolonialism for the mental health of queer minorities living in Germany today? After all, Krishna, like Kumar, is on a pursuit of forgiveness and self acceptance.

Second Class Queer is dedicated to Nhaveen.

Following a work-in-progress presentation as part of the 2022 Expo Festival, we are thrilled to offer additional performance of the finished version of this production.