Race, Identity, and the Boundaries of Blackness: Thomas Chatterton Williams explores what it means to be a black man of mixed-race heritage with a white-looking daughter and a white wife.
A reading and conversation with Rose-Anne Clermont, journalist and author of Bush Girl.
Ariel Levy reads from The Rules Do Not Apply (Gegen alle Regeln)
When Ariel Levy left for a reporting trip to Mongolia in 2012, she was pregnant, married, financially secure, and successful on her own terms. A month later, none of that was true. Levy picks you up and hurls you through the story of how she built an unconventional life and then watched it fall apart with astonishing speed. Like much of her generation, she was raised to resist traditional rules—about work, about love, and about womanhood.
In this “deeply human and deeply moving” (The New York Times Book Review) memoir, Levy chronicles the adventure and heartbreak of being, in her own words, “a woman who is free to do whatever she chooses.” Her story of resilience becomes an unforgettable portrait of the shifting forces in our culture, of what has changed—and of what is eternal.
Ariel Levy joined The New Yorker as a staff writer in 2008 and received the National Magazine Award for Essays and Criticism in 2014 for her piece “Thanksgiving in Mongolia.” She is the author of the book Female Chauvinist Pigs and was a contributing editor at the magazine New York for twelve years.Who was this Jakob Frank, revered by his fans as a messiah and who converted from Judaism to Islam and from Islam to Catholicism? Who was persecuted by the powerful in Poland in the 18th century, spent many years in prison in Tschenstochau and whose story came to a strange but happy end in Offenbach am Main?
The performers LeinzLieberman have searched for the motives behinds this mystical messianic movement over the course of multiple trips tracing the footsteps of Jakob Frank. And they let themselves, together with the designer and DJ Markus Wente, be inspired by it in their new performance. They bring motifs and texts of Jakob Frank to the stage and then transform it into images and movements that also reflect the feelings and desires of people in the Berlin art and party scenes. Using both subtle and expansive images, they tell the story of a search for a new world in which all parts are once again integrated into a complete whole.
Followed by a post-performance discussion
LeinzLieberman are the performance makers Shlomo Lieberman (Israel/Germany) and Ulrich Leinz (Germany). Over the last three years, their work has been included in three consecutive Expat Expo | Immigration Invasion festivals and we premiered their groundbreaking The Other/Promised Land in the fall of 2016. We are very excited to host them – collaborating with colleagues – as our fall artists in residence, presenting three different works in September, October and November.
Lovers1 will be performed on September 29 and The Other/Promised Land will be performed on October 13.
Each has a unique voice and approach to the challenge of writing the perfect song, Alex Spencer, Viktor’s Joy, Sam Dale and Kilkelly draw on a wide range of musical and lyrical influences and resources.
The evening will not be short of surprises, featuring collaboration and creative cross-pollination on stage with special guests appearing during each set.
Listen to Alex Spencer on SoundCloud and visit her artist page on Facebook
Listen to Viktor’s Joy on Bandcamp and visit his artist page on Facebook
Listen to Sam Dale on Bandcamp and visit his artist page on Facebook
Visit Kilkelly at his official homepage and on Facebook
Shlomo Lieberman and Ulrich Leinz confront three very different love stories in their performance: the disturbing memories about the grandmother who survived Auschwitz, the painful love letters of the German grandfather from Warsaw in 1943 and their own attempt to survive their relationship as a gay German/Israeli couple in Berlin.
LeinzLieberman are the performance makers Shlomo Lieberman (Israel/Germany) and Ulrich Leinz (Germany). Over the last three years, their work has been included in three consecutive Expat Expo | Immigration Invasion festivals and we premiered their groundbreaking The Other/Promised Land in the fall of 2016. We are very excited to host them – collaborating with colleagues – as our fall artists in residence, presenting three different works in September, October and November.
Lovers1 will be performed on September 29 and the first public presentation of their newest work-in-progress, Olam HaBa – The Next World, will be presented in THE LAB on November 3.
Rollercoasters is Berlin’s first and only musical improv group. Formed in 2017, the international cast has played a number of sold-out shows at venues across Berlin. Inspired by an audience suggestion, they create a full-length narrative musical replete with improvised songs, masterful acting and top-class comedy.
Cat Video is a German-Australian improv comedy duo. Their style might best be described as grounded insanity. They enjoy a slow burn just as much as a quick laugh. Peter and Jakob combine depth and hilarity in their characters to create wonderfully strange moments out of thin air.
With his first solo project, Sascha Bachmann aka Hand combines tape loops and moving images to create a contrast to the fast, loud world we live in, making space for emotions, self-reaction, calmness as well as excitement.
Alongside the release of Hand’s album Debut, the evening will also include performances by Janek Sprachta and Lars Hemmerling, who are also both releasing albums.
Watch Hand perform a live set
https://youtu.be/zIq0Bjxdx5k
Watch the music video for Loop 0.4
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A documentary with Hand all about Debut
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What happens when two are no longer enough? Is there still the same intimacy as before? Other lovers appear. How to continue now?
In the second version of the performance they created last year as a duo, Shlomo Lieberman and Tomer Zirkilevich invite Austin Fagan for a trio.
The setting remains the same: the performers are blindfolded on an empty stage. Their task is to lift or to be lifted. And they repeat this procedure over and over as a ritual they cannot avoid. But unlike the performance last year, the roles are not clear as they were. Who is lifting whom? What should one do when he is left out? Does one should find a new role for himself? What are the options?
The performance provides insight into the fragility of relations, shows how aggression is easily evoked and can turn into grief. And how grief can establish power.
“Love is like a toy. If you play too much with it, you’ll break it. But if you don’t play with this toy, why should you have it?” (Surtitle at 5:43 min)
LeinzLieberman are the performance makers Shlomo Lieberman (Israel/Germany) and Ulrich Leinz (Germany). Over the last three years, their work has been included in three consecutive Expat Expo | Immigration Invasion festivals and we premiered their groundbreaking The Other/Promised Land in the fall of 2016. We are very excited to host them – collaborating with colleagues – as our fall artists in residence, presenting three different works in September, October and November.
The Other/Promised Land will be performed on October 13 and the first public presentation of their newest work-in-progress, Olam HaBa – The Next World, will be presented in THE LAB on November 3.
Watch an excerpt of Lovers1
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Or more specifically the possible futures for the human race beyond the system of capitalism. The performance grew out of the quote “it’s easier to imagine the end of the world than the end of capitalism”, often cited to Frederic Jameson in his essay Future Cities.
Intrigued by this quote, I began to research possible alternatives to the capitalist system, and came across a “widespread lack of conviction in the possibility of transcending capitalism, and indeed, a difficulty in even imagining such a task”[1]. I wanted to encourage more discussions around alternative systems, and so I created Latent Dreams, about the futures we allow ourselves to envision, as a provocation to envision alternative ones.
Using the frame of Hollywood films, Latent Dreams unravels the inherent capitalist ideologies embodied in popular concepts of the Apocalypse. It involves a solo performer typing a “plot summary” of a disaster film, which is rewritten and rewritten, erased, repeated and deleted throughout the performance. The text is humorous, occasionally poignant, often misspelled and always human.
Latent Dreams aims not to provide a solution, but instead open a dialogue on imagined futures, and alternative systems.
Latent Dreams was conceived as part of the MLitt Theatre Practice at the University of Glasgow. It was first performed at the Gilmorehill Theatre, Glasgow, in September 2016. After presenting the show in its original form in the 2017 Expat Expo | Immigrant Invasion festival, we are proud to present a run of this extended, revised Berlin-specific version.
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Katrine Turner is a performance maker based between Berlin and Glasgow. She creates performance for different social contexts, settings and audiences. In November 2016, she graduated from the University of Glasgow in MLitt Theatre Practice with Distinction, where she was the College of the Arts Bellahouston Scholar 2015/2016.
He is known for his unique brand of black humor delivered with a hefty portion of self-deprecation. A veteran of the London comedy circuit, he has taken Germany by storm with TV appearances and sold-out shows across the mainland. Many say that he has internalized the Monty Pythons, but it looks more like he’s eaten them.
Johnny has made quite a name for himself performing in German and we’re very excited to be able to present him performing in his native English!
Test your German and check out Johnny performing Ein dicker Hipster in Stuttgart:
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