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We Just Moved You

documentary theater

We Just Moved You is a new documentary play about moving in Berlin – from WG Zimmer to WG Zimmer, from relationship to relationship, from studying to working (maybe), from job to job (if you can get your hands on one) – and the families-by-choice we cobble together to help us get through it all.

Director Sylvia Avery is from New Zealand, where she studied theater, politics and teaching before moving to Berlin to learn German. Her last theater project was stage managing #Instalove, an interactive show staged at English Theater Berlin | International Performing Arts Center in 2017.

Born and raised in LA la land, assistant director Shaleah Dawnyel’s love for collaborative theater was bred on musical theater stages and doing sketch comedy in Hollywood. A classic artistic “slasher” she escaped the City of Angels in 2009 to begin a torrid love affair with Berlin. Thrilled to be part of the team, when asked if we could make expat theater great again, Shaleah replied: yes we can!

Composer Andrew Fox’s theatrical orchestrations include Twisted, Hansel and Gretel, and Foreverman (Winner 2012 NYMF Awards for Excellence, Outstanding Orchestration). He has produced several recordings, including the cast recordings for Twisted and Hansel and Gretel, the pop EP Twisted: Twisted, and Night Off by Tha Los. Andrew is a co-founder of Nvak , which brings popular music education and opportunities to students in countries facing social, political, and economic hardship. He is a founding faculty member and curriculum designer for the Contemporary Vocals program at AMDA and a voice instructor at the American Musical Theater Academy. Andrew wrote the music for the children’s musical Caveman 2.0, which will see its New York area premiere in Spring of 2018. Andrew is a member of the BMI Musical Theater Songwriting workshop and a graduate of SUNY Purchase’s Studio Composition program.

Production designer Marcella Gersh is a German-American material culture nerd. After completing her thesis in sustainable design at Hampshire College, she built furniture, produced daytime talk shows, assisted designers for theater and advertising, and worked on indie film projects. A sometimes overly passionate student of the meaning and substance of the visuals in narrative media, Marcella has relished the opportunity to develop this wonderful script through each character’s accessory and every little prop on stage. This is Marcella’s first play as principal designer.

Cast member Steve Greenfield is a true third culture kid and self-described “child of the global village.” Steve has been acting for more than 10 years, initially working with the murder mystery company Mystery Inc. He has also played at several interactive cult cinema events with the team at Screenage Kicks, highlights featuring a performance as the iconic musician Prince in Purple Rain. Aside from his live-action work based in Newcastle, UK, Steve has appeared on film in the web-based series Try Life, a horror anthology called Grindsploitation, The Movie, and as the lead in a vignette for the recent short film Rules of Engagement.

After having graduated with a degree in linguistics and literature, cast member Carolin Kipka started her acting studies at the Mainfranken Theater Würzburg under the direction of Bernhard Stengele (2009-2012). In the summer of 2012, she moved to Berlin and started working as a freelance actress and acting coach. In 2016 she finished an international acting programme that took place in Germany, Belgium, Switzerland, Croatia, Denmark, and Turkey. As an actress she has performed at ufa-Fabrik Berlin, Theater Leverkusen, Performing Arts Festival Berlin, Stadttheater Gießen, and Bühne 602 Rostock.

Vocalist Madeleine K. McMillan

Cast member Rose Warner Miles grew up in New York City and has loved theater since the moment she first heard the song “Anything You Can Do (I Can Do Better)”. She studied literature & psychology in the US, and after receiving her Bachelor’s degree in 2017 she moved to Berlin to write poetry and to practice her German. She was deeply involved with the student theater community in college, and credits include Water by the Spoonful (direction) and Fefu & Her Friends  (Christina). We Just Moved You is her first professional production and she is thrilled to be a part of this talented ensemble. Many experiences discussed in We Just Moved You resonate deeply with Rose, and if anyone has an available room to rent in their WG, please let her know.

Cast member Joseph Raisi-Varzaneh graduated from the Royal Academy Of Dramatic Art in London (BA Acting program) in 2014. Productions at RADA include Mercury FurThe Witch of Edmonton and Punk Rock. Prior to acting, Joseph trained in London and Mexico City in classical ballet and danced with English National Ballet. He has also performed in opera, including Terry Gilliam’s Damnation of Faust and as the Prince of Persia in Rupert Goold’s Turandot, both for ENO London Coliseum. Last year Joseph wrote his first full-length play, Sharks In A Paddling Pool, which was included in the 2017 RADA Festival. He is now working on his second full-length play. Further credits include Marnie for ENO, Cut Throat Camden Fringe, Glyndebourne Opera, Paramount/Plan B World War Z, and The Boy Dressed in Violins at Camden Peoples Theatre.

Raised across the globe in an ever-changing international setting, dramaturg and movement director Dineke Rieske went on to study history, culture, and philosophy during her BA at Amsterdam University College (with an exchange focused on theater and performance at UNSW in Sydney). She then continued studying theater for her MA at Utrecht University. Apart from her academic education, she has a year of dance training at Broadway Dance Center in New York under her belt. She has worked on shows in various capacities: both on stage as a performer and behind the scenes as (assistant) director, choreographer, and dramaturg.

Cast member Yael Rozanes is an actress, improviser and stand-up comedian from Ramat-Gan, Israel. Yael attended The L&L Goodman Theatre and Acting School of the Negev in Beer Sheva (2012-2015) after deciding to turn her ability to make stupid faces in front of the mirror into a career. She has performed in various improv shows, as a street performer, and in children’s and fringe plays, taught theater to kids and adults, and established her stand-up routine at Anna lou-lou Bar in Tel Aviv. She currently resides in Berlin, where she is a tour guide and a member of the “Ladies and Gentleman“ improv group.

Producer and playwright Alissa Rubinstein is a Los Angeles native who has been based in Berlin since 2012. Over the years she has worked as a playwright, translator, theater educator, literary manager, dramaturg, theater and film critic and stage manager in the United States, Germany, and Switzerland.  Her last play, The 614th Commandment, sold out its one-night run at the 2016 Expat Expo | Immigrant Invasion Festival at ETB | IPAC. She holds a BA in theater and German with a focus on dramatic literature and criticism, translation, and playwriting from Tufts University and an MA in public history with a focus on documentary theater from Freie Universität Berlin.

Cast member Lydia Shoup studied theater at Savannah College of Art and Design in Georgia and literature at Queen Mary University in London. When she’s not writing a novel she likes to fancy she’s a heroine in one by Henry James.

Lyricist Kevin Wanzor

Stage manager Fiona Wiedmann

When I Was Old/When I Get Young

A 100-year-long life span of who we are, here, right now

A special community performance, where a small group of local residents (from Berlin but not from
Berlin) will step out onto the stage.

From newborn baby to senior citizen, the project weaves together personal reflections and ambitions, past and future lives; to create a story of a lifetime.

When I Was Old/When I Get Young was originally conceived in response to William Shakespeare’s “Seven Ages of Man” speech and captures what we’ve come to understand about being human.

Women Who Changed The World

A surreal cabaret duet

Opera Chaotique and their utterly unique crossover cabaret show pay homage to the lives of Camille Claudel, Nina Simone, Isidora Duncan, Sarah Kane and many others which are interrelated with the Voodoo Drummer’s governess and Tenorman‘s psychiatrist in an exciting and as always revealing post-surreal humorous show!

 

Noraland

the freedom of darkness

A long fascination with Ibsen’s A Doll’s House sends Orlando and Shlomo on a journey to Noraland by searching after their own reflections in the play.

Are we trapped in our own perception of our lives? Could we really ever follow Nora’s footsteps and achieve independence? Are we willing to pay such a high price? Is it possible for a male performer to step into Nora’s shoes?

A colorful interpretation of the exciting yet fearful moment when one is standing in the darkness behind a closed door without knowing where to go.

The 2018 Expat Expo | Immigrant Invasion: A Showcase of Wahlberliner

SAVE THE DATES!

The 2018 Expat Expo | Immigrant Invasion Festival will be take place from Sunday, April 22 through Saturday, April 28, 2018!

Complete program and ticket information will be online soon; and here is the complete schedule of programming:

 

ExpLoRE (April 22)

Gruesome Manifesto – Cher Nobyl

The Living And Our Ghosts – Noirphiles (Adrian Marie Blount)

Dancing With The Shadows – A Work In Progress – Julia Vandehof & Company

The Hearing Test – Shanti Suki Osman

Brunch Lady – Katie-Rose Spence

integrate ‘er – Iva Topolovec and Salber Williams

We Can Do It Moaning – ABA NAIA

Monday, April 23

Noraland – LeinzLieberman

Tuesday, April 24

When I Was Old/When I Get Young – Lucy Ellinson

Women Who Changed The World – Opera Chaotique

Wednesday, April 25

We Just Moved You – Alissa Rubinstein

Thursday, April 26

Landscapes Of My Inner Diaspora – Rosalie Wanka

Unfolding Universe – Heiner&Lindsig

Friday, April 27

Firewater – Tape Version

Menu – Ethan Folk and Ty Wardwell

Saturday, April 28

Skin Deep In Zaraniya – //slasheverything

Star Captain: Through The Dark You’ll Find The Light – Miss Natasha Enquist

Parataxe – International Literature

Parataxe – Berlin’s international literature community:

What languages does Berlin write in? For the PARATAXE series, Berlin authors, who write in languages other than German, will be introduced in discussions, readings and translations. This time with Kinga Tóth (Hungary) and Elnathan John (Nigeria).

Kinga Tóth was born in Sárvár, Hungary in 1983. She is a linguist, teaches German language and literature, works as a communications specialist and is an editor at the art magazine Palócföld. Tóth describes herself as a (sound)poet and illustrator. In addition she is the songwriter and lead singer of the Tóth Kína Hegyfalu project as well as a board member of the József Attila Circle for young writers and an active member of several projects and associations. Her articles have been published in magazines and websites like Palócföld, Prae.hu, Pluralica, Árgus, Irodalmi Jelen and Irodalmi Szemle. Tóth is a participant in the exchange program for authors between the Akademie Schloss Solitude and young Hungarian writers in Budapest. Her publications include Zsúr (Party) (2013) and All Machine (2014). Currently she is working on her newest book The Moonlight Faces.

Elnathan John is a writer and lawyer living in spaces between in Nigeria and Germany. Mostly. His works have appeared in Hazlitt, Per Contra, Le Monde Diplomatique, FT and the Caine Prize for African Writing Anthology 2013, 2014, 2015 and 2016. He writes weekly political satire for the Nigerian newspaper Daily Trust on Sunday (and any other publication that PAYS him). Unless you are The New Yorker, he considers it violence of unimaginable proportions to ask him to write for free. He has never won anything.
This record was almost disrupted by the Caine Prize when they accidentally allowed his story on the shortlist in 2013 and again in 2015. Of course, both times, he did not win. He has been shortlisted and longlisted for a few other prizes, but he is content with his position as a serial finalist. It is kind of like being a best man at a wedding – you get to attend the ceremony but you can get drunk, sneak off and hook up without anyone noticing because, after all, you are not the groom. In 2008, after being lied to by friends and admirers about the quality of his work, he hastily self-published an embarrassing collection of short stories which has thankfully gone out of print. He hopes to never repeat that foolish mistake. His novel Born On A Tuesday was published in Nigeria (in 2015), the UK and the US (in 2016) and in Germany (in 2017).

 

Candice Fox

Reads from her novel Crimson Lake.

Six minutes in the wrong place at the wrong time—that’s all it took to ruin Sydney Detective Ted Conkaffey’s life. Accused but not convicted of the brutal abduction of a 13-year-old girl, Ted is now a free man—and public enemy number one. He flees north to keep a low profile amidst the steamy, croc-infested wetlands of Crimson Lake.

There, Ted’s lawyer introduces him to private investigator Amanda Pharrell, herself a convicted murderer. Perhaps it’s the self-isolation and murderous past that makes her so adept at tracking lost souls in the wilderness, but her latest target, missing author Jake Scully, has a life more shrouded in secrets than her own.

Not entirely convinced Amanda is a cold-blooded killer, Ted agrees to help with her investigation, a case full of deception and obsession, while secretly digging into her troubled past.

Candice Fox received Australia’s most prestigious prize for crime fiction, the NED KELLY AWARD, both in 2014 and 2015!

Sechs Minuten – mehr braucht es nicht, um das Leben von Detective Ted Conkaffey vollständig zu ruinieren. Die Anklage gegen ihn wird zwar aus Mangel an Beweisen fallengelassen, doch alle Welt glaubt zu wissen, dass einzig und allein er es gewesen ist, der Claire entführt hat. Um der gesellschaftlichen Ächtung zu entgehen, zieht sich der Ex-Cop nach Crimson Lake, eine Kleinstadt im Norden Australiens, zurück.
Dort trifft er Amanda Pharrell, die ganz genau weiß, was es heißt, Staatsfeind Nr. 1 zu sein. Vor Jahren musste sie wegen angeblichen Mordes ins Gefängnis. Nun tun sich die beiden Außenseiter zusammen und arbeiten als Privatdetektive. Ihr Fall: Ein berühmter Schriftsteller mit Doppelleben und kaputter Familie ist verschwunden, die örtliche Polizei behindert die Arbeit der beiden mit harschen Methoden. Dann platzt das Inkognito von Conkaffey, die Medien erzeugen Hysterie. Lynchstimmung macht sich breit. Während er den Fall seiner neuen Partnerin wieder aufrollt und sie versucht, ihn zu entlasten, nimmt der Fall des Schriftstellers überraschende Wendungen …

Candice Fox is the middle child of a large, eccentric family from Sydney’s western suburbs composed of half-, adopted and pseudo siblings. The daughter of a parole officer and an enthusiastic foster-carer, Candice spent her childhood listening around corners to tales of violence, madness and evil as her father relayed his work stories to her mother and older brothers.

Bankstown born and bred, she failed to conform to military life in a brief stint as an officer in the Royal Australian Navy at age eighteen. At twenty, she turned her hand to academia, and taught high school through two undergraduate and two postgraduate degrees.

Hades, Candice Fox’s first novel, won the Ned Kelly Award for best debut in 2014. The sequel, Eden, won the Ned Kelly Award for best crime novel in 2015, making Candice only the second author to win these accolades back-to-back. Her third novel, Fall, was shortlisted for the 2016 Ned Kelly and Davitt awards.

In 2015 Candice began collaborating with U.S.-American crime writer, James Patterson. Their first novel together, Never Never, set in the vast Australian outback, was a huge bestseller in Australia and went straight to number 1 on the New York Times bestseller list in the U.S. and also to the top of the charts in the UK. The sequel, Fifty Fifty, will be released in August 2017. They have also co-written a prequel novella, Black & Blue, as part of the James Patterson BookShots series.

Candice Fox lives in Sydney.

Candice Fox stammt aus einer eher exzentrischen Familie, die sie zu manchen ihrer literarischen Figuren inspirierte. Nach einer nicht so braven Jugend und einem kurzen Zwischenspiel bei der Royal Australian Navy widmet sie sich jetzt der Literatur, mit akademischen Weihen und sehr unakademischen Romanen. Für den ersten und zweiten Teil ihrer Trilogie, Hades und Eden, wurde sie 2014 und 2015 mit dem Ned Kelly Award ausgezeichnet.
Pic: © Penguin Random House Australia / Suhrkamp Verlag.

I Am Not A Joke (Take Two)

WORLD PREMIERE

Feminism has never been so hip and trendy! We could see this as a true victory for feminism and still post a “I’m a feminist” selfie real quick. Let’s be honest. This kind of “high gloss feminism” doesn’t cover up the smell of the shit we encounter every day in the form of sexism, racism and every other kind of possible phobia.

Accompanied by a guitar, a synthesizer and drum machine, The Kill Joys sing, scream and perform against daily discriminations and the patriarchy. I Am Not A Joke (Take Two) is an appeal against this shit while simultaneously questioning the consumability of feminism.

The Kill Joys (Olivia Hyunsin Kim, Magda Drozd & Co.) examine intersectional feminist issues within the form of a theatrical concert performance. The collective was founded in 2016 and has screamed about what makes them angry in a do-it-yourself style ever since. Using songs and performative actions that focus on their own experiences with everyday racism as well as within the performing arts, they create a feminism that is relevant for them and their concerns as women, artists and immigrants that is certainly not a “feel good” marketing strategy.

Featuring a post-performance discussion on Thursday, March 1 in collaboration with Theater Scoutings Berlin!

IMPRO 2018

The nine-day festival IMPRO 2018: Our Lives (March 17 – 25) is the climax of a two-year international theater project that has brought together actors from all 28 countries of the European Union.

It combines the energy and vitality of improvised theater with the rich biographies and experiences of the actors, who use their own lives as a blueprint for what happens on stage. Together with the audience, the directness and strength of the authentic in combination with the abundance of cultural differences results in extraordinary evenings of theater.

English Theatre Berlin | International Performing Arts Center is the center of IMPRO 2018, featuring the opening performance, three specific impro formats reflecting the lives of seven actors as well as the highlight of the entire Our Lives project: the closing night of the festival with 28 artists, who will meet together on stage that evening for the first and last time.

Dates and descriptions of all performances at ETB | IPAC are below and all shows are in English and start at 8pm!

Saturday, March 17 – Opening Show

It has become a small tradition that we ask the international colleagues to bring short country-specific improv formats for the opening evening and to show them to the other actors as well as the Berlin audience. A colorful, blazing, energetic kick-off of our Our Lives festival with no less than 14 improv artists, and that’s only half of the casts – the other one is playing at the Ratibor Theater at the same time…

Sunday, March 18 and Monday, March 19 – Our Lives: Walls

Political or geographical, linguistic or ideological, visible or invisible, borders are shaping us: each freedom is limited by a borderline. From imagination to concrete reality, we build walls to label our divisions. Our Lives could be told by naming buildings and by demolishing these walls. Our homes, our churches and our schools reside inside those walls. Other walls loom between our countries, our cultures. In between those walls, what are our actual contours?

Cast: Antonia Vulpio (Italy), Heather Urquhart (UK), Julie Doyelle (France), Kaspars Breidaks (Latvia), Malcolm Galea (Malta), Roko Crnić (Croatia), Zsuzsi Várady (Hungary).
Artistic Director: Matthieu Loos (France)

Tuesday, March 20 and Wednesday, March 21 – Our Lives: Places

We spent and spend our lives in places. When we remember our grandparents’ living room, the sound of the ticking clock, the smell of the chocolate cake, and the sunlight through the gap in the curtains will come back to us. Let’s have a guess what the artists from seven European countries could bring us: a muddy mountain path in Slovakia; a quiet intersection in a Spanish village; an old farm on the border of Romania; a hot stone on a Greek beach; a wide, white field in the north of Sweden; a busy ferry on the coast of Estonia; a crammed Späti in Neukölln-Britz. Let’s tell each other about Our Lives.

With Billy Kissa (Greece), Leon Düvel (Germany), Lukáš Tandara (Slovakia), Monica Anastase (Romania), Per Gottfredsson (Sweden), Rahel Otsa (Estonia), Raquel Racionero (Spain).
Artistic Director: Christoph Jungmann (Germany)

Thursday, March 22 and Friday, March 23 – Our Lives: Community

Life in contemporary forms of capitalism is becoming unbearable, and one survival strategy is to develop and protect at all costs small communities that offer us different relations. With art, we cannot and do not aim at causing great social change but we can make room for collective creation, a space where it is possible to survive and even have a good time. Every moment is worth asking the very important human question of “How do we actually want to live together?”. And by doing so, we are finding answers along the way.

Exquisite and daring performers from different cultural, economic and political environments dive into the topic of community: Alenka Marinič (Slovenia), Alexander Mitrev (Bulgaria), Audrius Bruzas (Lithuania), Beatrix Brunschko (Austria), Gilles Delvaulx (Belgium), Hannu Risku (Finland), Mia Møller (Denmark). Artistic Director: Maja Dekleva Lapajne (Slovenia)

Saturday, March 24 – 28 AT 7 PM!!

Actually, we cannot believe it yet – an idea has become a reality. For the first and probably only one time, 28 people will stand together on the stage. All that unites them is that they come from the 28 countries of the EU. It’s so easy to write down, but it’s actually incredible and a special moment in the history of this festival. We guarantee nothing but an exceptional evening of improvisation.

 

Celebration, Florida

GERMAN PREMIERE

Celebration, Florida is a town located right next to Disney World and was originally developed by Disney as a sort of idealistic, controlled, manicured, shiny version of what the perfect town should be. It is an actual town, but at the same time a simulation of a town. What does this town mean to Greg Wohead? What happens when we miss a person, place or time? What does the performance tell about the human connection?

Veering between reality and simulation, Celebration, Florida orbits around ideas of surrogacy; a stand-in to replace a person you miss, a re-creation of an experience you can’t stop thinking about, nostalgia for a place that never existed.

This is a show for anyone who has ever missed anyone or anything.

Greg Wohead will speak to you through two performers using pre-recorded audio and headphones. The performers will know almost nothing about the show and they will meet for the first time when they walk on stage.

Performed on Tuesday, March 13 by Carrie Getman and Andre Neely

Performed on Wednesday, March 14 by Quatis Tarkington and Saudia Young

“A moving tone poem on loss and retrieval”
★★★★ Stewart Pringle, The Stage
“A work of great sensitivity written with enviable grace and poise”
Simon Bowes, After the Lights Fade

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Featuring a post-performance discussion on Tuesday, March 13 in collaboration with Theater Scoutings Berlin!

 

 

 

Commissioned by The Albany and developed at The Yard. Supported using public funding by the National Lottery through Arts Council England.

Greg Wohead is a writer, performer and live artist originally from Texas and now working in London. He makes theatre performances, one-to-one pieces and audio works. His work has been seen at theatres and festivals in the UK, US and Europe including Battersea Arts Centre, London (UK), Bristol Old Vic (UK), Mayfest, Bristol (UK), Northern Stage, Newcastle (UK), Forest Fringe, Edinburgh (UK), Bios, Athens (Greece), Brighton Festival (UK), Fusebox Festival , Austin (USA) and ArtPower, San Diego (USA). He’s an Associate Artist at The Yard and Shoreditch Town Hall in London.