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Electra

ETB | IPAC & Berlin International Youth Theatre present

HARVARD COLLEGE STUDENTS with their production of the Sophocles classic, Electra, featuring Turkish TV star Ece Hakim.

A moving exploration of family and justice: Thousands of years ago, King Agamemnon ruled over Mycenae alongside his wife Clytemnestra and his four children Iphigenia, Electra, Orestes and Chrysothemis. All was well until Agamemnon’s sister in law, Helen, was taken to Troy. Now it was up to him to command the Greek armed forces into the infamous Trojan War which would claim many victims, including Agamemnon’s daughter Iphigenia, whom he sacrificed to the Gods in exchange for a strategic advantage. Upon his return, Agamemnon was murdered by his wife Clytemnestra and her lover. Electra, along with her dead father’s adviser, organized the kidnapping of her youngest brother Orestes, with the intent of training the young boy to one day avenge his father and murder his mother. Fifteen years later, Orestes returns to fulfill his murderous destiny…

This is the latest production by director Isaiah Michalski, actor of Lars Kraume’s award-winning film The Silent Revolution (Das schweigende Klassenzimmer). Michalski studies theater at Harvard College and is currently participating in the Schaubühne’s prestigious apprenticeship program.

The show will include an original score and live music by composer Marie Carroll.

 

Feathers in the Fire

ATTENTION: OFF-SITE PERFORMANCE at Reduta Schauspielbühne Gneisenaustr. 41 | HH

We all know the ancient tale of the boy who ignored his father’s warnings and flew too close to the sun. But do we really? The tale we think we know has been twisted and altered at the tyrannical hands of King Minos and his followers. It’s about time to shed some light on what really happened.

On May 25 and 26, the Berlin International Youth Theatre Ensemble will reveal the true story of Icarus to you (according to their sources) in the form of the original play Feathers in the Fire.

While King Minos wages his ugly war, a small but not insignificant group of teenage resisters plans a deadly rescue mission. Two important members, Iris and Icarus, are the strong-willed offspring of Daedalus, who happens to be the king’s favorite designer of weapons of mass destruction.

In addition to the usual family conflicts, this really is a recipe for disaster.

Our story, however, really begins on Mount Olympus, hanging out with the gods, useless, vain and bored out of their minds. A dangerous combination.

Using epic storytelling, elements of the Greek chorus and physical theater, the BIYT Ensemble, featuring actors between the ages 14 and 19, reboot this ancient myth as a sneakily humorous yet visceral and haunting tale that strays wildly (and joyously) from all of the versions we’ve heard before.

Anne Finger

ETB | IPAC, THEATER THIKWA and the american academy in berlin present A reading by ANNE FINGER

Anne Finger will be reading from an early memoir, Past Due: A Story of Disability, Pregnancy and Birth which was published in the U.S. by Seal Press. A German translation, Lebenswert, was published by Fischer Verlag in 1992.

Anne Finger liest aus einem autobiographischen Text: “Past Due: A Story of Disability, Pregnancy and Birth”, der in deutscher Übersetzung von Christine Frick-Gehrke unter dem Titel “Lebenswerteine behinderte Frau bekommt ein Kind” 1992 bei S. Fischer erschienen ist.

Anne Finger is a writer of both fiction and non-fiction.  Her most recent book is a novel, A Woman, in Bed (Cinco Puntos).  Her short story collection, Call Me Ahab retells iconic disability stories from a disabled perspective.  Her most recent memoir, Elegy for a Disease: A Personal and Cultural History of Polio was published by St. Martin’s Press. She lives in Oakland, California, where she is active in the disability justice movement as well as movements for broader social change.

Anne is currently the Holtzbrinck Fellow at the American Academy in Berlin.

Anne Finger ist Autorin von Romanen, autobiografischen Texten und Sachbüchern; 2018 erschien ihr neuester Roman “A Woman, in Bed”. In ihrem Erzählungsband “Call Me Ahab” (2009) erzählen Behinderte – sowohl Figuren aus literarischen Texten als auch real existierende Mitmenschen – aus ihrer Perspektive. Ihr letztes Memoir “Elegy for a Disease: A Personal and Cultural History of Polio” erschien 2006. Anne lebt in Oakland / Kalifornien, wo sie sowohl in der Behindertenbewegung als auch in verschiedenen Gruppierungen und Bewegungen für breitangelegte gesellschaftliche Veränderung aktiv ist.
Zur Zeit ist sie Holtzbrinck Fellow an der American Academy in Berlin.
Pic/Foto: Shoey Sindel

 

 

2019 EXP(L)O(RE)

A JOURNEY OF DISCOVERY
This format opens the festival and is dedicated to newcomers, shorter performances and work-in-progress. Spend an entire afternoon taking in seven different performances. In between the performances, you can enjoy fantastic food, luxurious libations and magnificent music by international, Berlin-based musicians. Performances start at 2pm and we open our doors at 1pm.

POSEUR | Performance (2pm)

Directed by Frederika Tsai (Taiwan/ Germany), Written and Performed by Lena Chen (USA/Germany), Music by Alex Weber (Germany), Illustration and Animation by Lucas Paixão (Brazil), Video Design by Effie Wu (Taiwan/Germany), Photography by Edward Isais (USA)

 

Do you like to watch or be watched? She enjoys the feeling of your gaze upon her. Elle Peril is a con artist. Elle Peril is an identity crisis. Elle Peril is the truest lie she ever told.

When a girl from the United States falls victim to a heinous crime, she impulsively moves to Berlin and invents a fictional life to cope with the traumatic consequences.

Inspired by the autobiographic experiences of performance artist and poet Lena Chen, Poseur explores the power andthe peril of living as a woman in the public gaze.

Supported by the Taipei Representative Office in the Federal Republic of Germany and The Tsai Foundation, Boston

 

THE INTERVENTION OF LONELINESS | Interactive Performance (2:45pm)

Concept and Performance by Ming Poon (Singapore/The Netherlands), Photography by Olivia Kwok (Singapore)

We have entered the age of loneliness. Social media, modern work ethics and urban lifestyles all contribute to a system that exposes us to loneliness on a regular basis and on a global scale.

This interactive performance invites the audience to create a space for loneliness to take place. Can we transform loneliness from a place of suffering to become a source of strength?

 

 

 

TEXT ROULETTE | Interactive Performance (3:30 pm)

Created and Performed by Finn O’Branagáin (Australia), Operator Bronwyn Miller (Australia), Design by Clare Testoni (Australia), Composed by Tom Hogan (Australia), Sound Design by Nathan Jamieson (Australia), Dramaturgy by Alexa Taylor (Australia), Photography by David Cox (Australia)

 

It’s hard to know what to say sometimes. Is there a message you need to send?

Maybe you need to tell your crush you can’t stop thinking about them, tell your roommate their sexy role-playing is way too loud, or tell your mom you hate her new tattoo.

If you can’t find the words, play Text Roulette and let Finn O’Branagáin draft them for you – then choose to send, save, delete or ask for a
sign. Sign up to participate or watch it unfold from the safety of the audience.

Sign up form: tinyurl.com/textroulette

 

BANANA PRIDE | Theater (4:15 pm)

Directed and Performed by Kysy Fischer (Brazil), Dramaturgy and Performed by Zero Pilnik (Brazil), Performed by Teija Vaittinen (Finland), Performed by Rafuska Marks (Brazil), Devised by ABA NAIA and Paola Pilnik, Scenography by Inga Aleknaviciute (Lithuania), Lighting Design by Thais Nepomuceno (Brazil), Photography by Mari Vass (Brazil)

Banana Pride™ is a party. It’s an exaggeration. It’s an exaggerated party. It’s a farce with hints of music, dance, clichés, and stereotypes. It’s a soap opera. It’s a cabaret night. It’s a glamorous tragedy. It’s a job interview. It’s a provocation. It’s a political act, a feminist act, a celebration, a carnival night. Banana Pride™ is a manifesto.

 

 

 

SOLAR THRESHOLD| Dance Performance (5pm)

Concept and Performance by Maque Pereyra (Bolivia), Costume Design by Paola Bascón (Bolivia) and Maque Pereyra, Sound Design by Mars Dietz (USA), Dramaturgical Support by Verena Melgarejo (Germany/Bolivia), Lighting Design by Hanna Kritten Tangsoo (Estonia/Germany), Drawing by Lucia Ramirez (Bolivia), Photography by Gisela Zárate (Colombia)

Solar Threshold fosters the idea of pleasure, sensuality and spirituality as tools for decolonizing bodies. The vibrations of the voice create a temple of sounds and movement that merges the notions of pleasure, sensuality and spirituality. Ritual chanting is interwoven with reggaeton to generate liminal spaces where new bodies/entities/identities appear.

 

 

SALVATION (GLITTER DOESN’T CARE I’M A BOY) | Music Theater (5:45 pm)

Created and Performed by Shlomi Moto Wagner (Israel), Photography by David Beecroft (Germany)

This science fiction drag ritual is an experimental invocation for a constant distribution of desires based on visions and fantasies Shlomi Moto Wagner has experienced since he was three years old. It explores transformations, mutations and re-manifestations of the idea of being, the sensuality of being a body, the politics of having a body and the poetics of sharing a bodily experience. All bodies are welcome and audience participation is highly encouraged.

Foreign Body_Trio

Bodies that do not fit within the framework of society are treated as “foreign bodies” and are ultimately rejected.

The choreographer wants to look at society through three such bodies. The unfamiliar physical form that the three bodies create explodes stereotypes about the body.

This performance explores how the audience perceives them and questions the meaning of “foreignness” in our society.

Rays

RAYS is an immersive experience, dedicated to the latent nervousness that increasingly permeates our existence. It strives to make visible what usually evades our senses: Wi-Fi signals, the electromagnetic fields of our smart phones, computers and power supply systems…

Working as an antenna, Mirjam Sögner lends her body to these immaterial waves that define the very core of our contemporary existence.

Using no other device than her own organic material, she attempts to receive, detect, synchronize with and amplify these omnipresent signals. She becomes vibration. Vibration becomes body. Energy becomes solid. The line between transmitter and receiver blurs. Will the body eventually dissolve?

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Boxes

Boxes are her work.

Work is her life.

Her life is in boxes.

And they all look just the same.

Living a square life or breaking out of the box? One show, two performers, various techniques, and plenty of absurd situations.

Vacio

Vacio, created by Oskar Mauricio and Cia Omkara, deals with the need to connect the two contrasting worlds we are confronted with today: the digital and the organic world.

Vacio brings together physical theater, aerial dance, live music and visual projections in its attempt to forge this connection.

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Please, Repeat After Me

I have millions of reasons to be crazy; give me one reason to be sane!

Or

Please, Repeat After Me is a play about decision-making and labels.

(We)* are left abandoned in the theater with a real mermaid: a fish incapable of being eaten and a woman incapable of seduction.

But the mermaid is real!

When does a stereotype stop being a stereotype?

When does a refugee stop being a refugee?

When does an actor stop being an actor?