etb English
Theatre
Berlin
International Performing Arts Center




Blog Archive

Fest of Fools

The Fest of Fools is a festival that highlights humor as a medium in choreography, cultural practice and social
dialogue. Held over three days, the festival brings together five choreographers who utilize humor as a liberating cultural technique to address and clarify its systemic relevance, particularly during times of crisis.

Through five performances and one workshop, “Humor as a choreographic, aesthetic and political tool in cultural praxis” , the festival investigates humor as both a cultural and social phenomenon. The works presented aim to examine humor’s essential aspects and its cathartic function, exploring its potential to create distance, provoke thoughts and break societal boundaries. The festival seeks to present a variety of artistic expressions, using humor as a tool for critique and a catalyst for transformation.

Wednesday, May 14

8:00 pm Gats Surprise / Scapes of Landscape by Lukáš Karásek (tYhle collective)

Gats Surprise is a short solo trip of an elusive creature named Gats, originating from the world of the performance Scapes of Landscape by tYhle. Gats surprise not only the audience but also themselves in what they turn out to be. They have a large family, but suffer from loneliness. They are interested in Tarkovsky and comic books. They look completely different on the inside than they do on the outside, but no one knows how.

 

8:30pm The Trinity by Raul Vargas Torres

A choreographic cleansing journey, where daily kids-toys, music and actions take a hyperreal shape under the dual horizon of love and death, violence and emancipation, childhood and adulthood, father and mother. Unveiling the paradoxical resistance and violence of accepting to perform a role, in an imposed narrative, in which one is a byproduct or consequence of it. A performance which does not pretend to answer any question. A performance that happens at the friction between: what we imagine is happening and what is actually happening.

 

9:30pm Post-performance discussion

Thursday, May 15

10am Workshop: “Humor as a cultural, aesthetic and political tool in times of crisis” as part of the IETM plenary meeting (off-site, Studio 0/1 Gottlieb-Dunkel-Straße 30/32, 12099 Berlin) – to attend, please register HERE

8pm DEVOURER by Alica Minar & col.

One body, a bunch of black balls, a clear task and countless greed. A dance performance inspired by the principles of the clown fi gure and black hole theory. DEVOURER exists only to have. In a determined eff ort to take everything for its own, it absorbs light, inhales space and materializes time. Its transformation manifests gradually. A body of greed caught in action. How can the „self“ be maximized? Singularity. It’s a hypothetical point. „I am a star, I shine like a supernova…or have I become a black hole?“

9pm Post-performance discussion

Friday, May 16

8pm DauerDeviation (work-in-progress) by Kysy Fischer

The main goal of this work in progress is to develop a choreographic strategy of deviation in which the norms of movement are provoked and expanded. Kysy creates a chain of associations between movements, sounds and images. Thoughts, words and sentences deviate, taking new paths and constructing new meanings.

 

 

 

8:30pm ha ha ha hi!by Felix Baumann | Von B bis Z

In ha ha ha hi!a mediocre comedian attempts to tell a joke with a life-changing impact. However, he lacks the words or the right microphone setting for a real breakthrough. As he grapples with his shortcomings, he embraces absurdity, employing every tool at his disposal to create moments of comic folly.
The solo performance ha ha ha hi! blends dance, circus, physical comedy and object manipulation, and celebrates the art of joking, cheerful silliness, raw humor and the beauty of happy futility. It invites the audience into a world where minimalism meets eccentricity and playfull foolishness becomes profound.

 

9:30pm Post-performance discussion

Cascando

Pan Pan’s Cascando by Samuel Beckett

Accompany Samuel Beckett’s curious figures into an uncertain future. Attired in dark cloaks and given headphones, audiences are guided through a rhythmic, immersive, group choreographical experience.

First broadcast in 1963, Cascando begins with the curious character Opener (Daniel Reardon) setting the scene: the month of May, a time of “reawakening”.  The Opener commands two other presences: the winding Voice (Andrew Bennett) caught between arrest (” – stories … if you could finish it …”) and progress (“- nearly … just a few more … a few more”), and Music (designed by Jimmy Eadie), whole and forceful.

Director Gavin Quinn, dramaturg Nicholas Johnson and designer Aedín Cosgrove recognize this as a journey. The audience are sent walking in an outdoor landscape, wearing cloaks and listening to the play on headphones.  The unhurried pace of Bennett’s deep and riveting voice provides a rhythm for our steps, as we listen to Voice’s struggle to tell a story.

The absent figure named Woburn is identified by his “same old coat” and vague memories of a cave or shelter. As the same-dressed audience pass each other in the dark surroundings, it appears that images of the text have been slyly extracted. Has the audience been unknowingly cast as the play’s mystifying wanderer?

Along this journey, the tremendous pulse of Eadie’s music threatens to overwhelm. It rises in a wave of crashing strings, eventually settling to ring, pining, with Voice’s efforts. If you suspected that Woburn’s journey resembled a pilgrimage, Reardon’s sullen Opener somewhat confirms it, suggesting God and a parable: “two outings and a return, to the village, to the inn”.

Pan Pan was founded in 1993 by Co-Artistic Directors Aedín Cosgrove and Gavin Quinn. The company has created 52 new theater and performance pieces and toured worldwide, receiving multiple national and international awards. Pan Pan have toured extensively to prestigious venues and festivals around the world including BAM, Lincoln Center, St Ann’s Warehouse, NCPA China, Edinburgh International Festival Sydney and Melbourne Festivals, the Barbican and HAU Berlin. Since its inception, Pan Pan has constantly examined and challenged the nature of its work and has resisted settling into well-tried formulas. Developing new performance ideas is at the center of the company’s mission. All the works created are original, either through the writing (original plays) or through the totally unique expression of established writings. Pan Pan tries to approach theater as an open form of expression and has developed an individual aesthetic that has grown from making performances in a host of different situations
and conditions.
Photo: Matthew Andrews

 

Impro 2023

IMPRO is Europe’s largest showcase for improvised theater!

For the 2023 edition, English Theatre Berlin | International Performing Arts Center will host Batovia:

When coming to Batovia, be aware that this land leaves no one untouched. The merciless struggle for power, the unquenched longing for love, the permanent flare-up of strife and hatred – you can’t escape it. William Shakespeare would have enjoyed these dramas that will captivate and draw you in. No one knows today how they will begin and how they will end – in this country that lies in yesterday, today and tomorrow, in the distance and right beside you.

 

Impro 2019

Improvised theater is surprising and always different at the same time.

IMPRO, the international impro festival hosted by Die Gorillas, is one of the biggest festivals of its kind: for the 17th edition from March 16 – 24, 2019, improvisers from all over the world get together in Berlin to inspire the audience with their spontaneous stories and diverse characters. The artists will sweep them off their feet with their concepts and ideas of improvised theater which go in the most different of directions to show the variety and possibilities of this special art form: Storytelling inspired by Aki Kaurismäki, Shakespeare or a local playwright, improvisers giving very personal insights in Role Models, Meta Impro and Community, an improvised radio play, the Improvision Song Contest and much more is going to happen in five theaters around Berlin.

IMPRO 2019 brings new shows and presents improv classics.

Stunning. Emotional. Connecting.

Community

March 16, 17 and 18 |  8pm

“Life in contemporary forms of capitalism is becoming unbearable, and one survival strategy is to develop and protect at all costs small communities that offer us different relations. With art, we cannot and do not aim at causing great social change but we can make room for collective creation, a space where it is possible to survive and even have a good time. Every moment is worth asking the very important human question of ‘How do we actually want to live together?’. And by doing so, we are finding answers along the way. Exquisite and daring performers from different cultural, economic and political environments dive into the topic of community.”

Maja Dekleva Lapajne, Artistic Director of the EU project Our Lives and the format Community

Theatersports

March 19 | 8pm

Sometimes it’s nice to go back to the roots. Many of those looking for new improv formats today started with this popular form of improvising back in the day. Several teams compete for the best scenes and songs, for the audience doesn’t just make suggestions, it also decides the champion of the night. It’s no coincidence this show format succeeded all over the world: it’s improv full of fun, imagination, suspense, speed and passion…

Not by Kaurismäki

March 20 and 21 | 8pm

The concise manner of speaking and the quiet humor of Aki Kaurismäki is the model for the improvisations. And we‘re getting back to basics.

Not by Shakespeare

March 22 and 23 | 8pm

It goes without saying that we won’t be able to improvise a play which matches the works of the British genius. But we can let ourselves be inspired by William Shakespeare and use the rhythm of his language as well as the structure of his dramas, comedies and tragedies as a template. A Shakespeare play about gentrification, digitalization or factory farming – that could be pretty cool.

 

The 2018 Expat Expo | Immigrant Invasion: A Showcase of Wahlberliner

SAVE THE DATES!

The 2018 Expat Expo | Immigrant Invasion Festival will be take place from Sunday, April 22 through Saturday, April 28, 2018!

Complete program and ticket information will be online soon; and here is the complete schedule of programming:

 

ExpLoRE (April 22)

Gruesome Manifesto – Cher Nobyl

The Living And Our Ghosts – Noirphiles (Adrian Marie Blount)

Dancing With The Shadows – A Work In Progress – Julia Vandehof & Company

The Hearing Test – Shanti Suki Osman

Brunch Lady – Katie-Rose Spence

integrate ‘er – Iva Topolovec and Salber Williams

We Can Do It Moaning – ABA NAIA

Monday, April 23

Noraland – LeinzLieberman

Tuesday, April 24

When I Was Old/When I Get Young – Lucy Ellinson

Women Who Changed The World – Opera Chaotique

Wednesday, April 25

We Just Moved You – Alissa Rubinstein

Thursday, April 26

Landscapes Of My Inner Diaspora – Rosalie Wanka

Unfolding Universe – Heiner&Lindsig

Friday, April 27

Firewater – Tape Version

Menu – Ethan Folk and Ty Wardwell

Saturday, April 28

Skin Deep In Zaraniya – //slasheverything

Star Captain: Through The Dark You’ll Find The Light – Miss Natasha Enquist