The Fest of Fools is a festival that highlights humor as a medium in choreography, cultural practice and social
dialogue. Held over three days, the festival brings together five choreographers who utilize humor as a liberating cultural technique to address and clarify its systemic relevance, particularly during times of crisis.
Through five performances and one workshop, “Humor as a choreographic, aesthetic and political tool in cultural praxis” , the festival investigates humor as both a cultural and social phenomenon. The works presented aim to examine humor’s essential aspects and its cathartic function, exploring its potential to create distance, provoke thoughts and break societal boundaries. The festival seeks to present a variety of artistic expressions, using humor as a tool for critique and a catalyst for transformation.
Wednesday, May 14
8:00 pm Gats Surprise / Scapes of Landscape by Lukáš Karásek (tYhle collective)
Gats Surprise is a short solo trip of an elusive creature named Gats, originating from the world of the performance Scapes of Landscape by tYhle. Gats surprise not only the audience but also themselves in what they turn out to be. They have a large family, but suffer from loneliness. They are interested in Tarkovsky and comic books. They look completely different on the inside than they do on the outside, but no one knows how.
8:30pm The Trinity by Raul Vargas Torres
A choreographic cleansing journey, where daily kids-toys, music and actions take a hyperreal shape under the dual horizon of love and death, violence and emancipation, childhood and adulthood, father and mother. Unveiling the paradoxical resistance and violence of accepting to perform a role, in an imposed narrative, in which one is a byproduct or consequence of it. A performance which does not pretend to answer any question. A performance that happens at the friction between: what we imagine is happening and what is actually happening.
9:30pm Post-performance discussion
Thursday, May 15
10am Workshop: “Humor as a cultural, aesthetic and political tool in times of crisis” as part of the IETM plenary meeting (off-site, Studio 0/1 Gottlieb-Dunkel-Straße 30/32, 12099 Berlin) – to attend, please register HERE
8pm DEVOURER by Alica Minar & col.
One body, a bunch of black balls, a clear task and countless greed. A dance performance inspired by the principles of the clown fi gure and black hole theory. DEVOURER exists only to have. In a determined eff ort to take everything for its own, it absorbs light, inhales space and materializes time. Its transformation manifests gradually. A body of greed caught in action. How can the „self“ be maximized? Singularity. It’s a hypothetical point. „I am a star, I shine like a supernova…or have I become a black hole?“
9pm Post-performance discussion
Friday, May 16
8pm DauerDeviation (work-in-progress) by Kysy Fischer
The main goal of this work in progress is to develop a choreographic strategy of deviation in which the norms of movement are provoked and expanded. Kysy creates a chain of associations between movements, sounds and images. Thoughts, words and sentences deviate, taking new paths and constructing new meanings.
8:30pm ha ha ha hi!by Felix Baumann | Von B bis Z
In
ha ha ha hi!a mediocre comedian attempts to tell a joke with a life-changing impact. However, he lacks the words or the right microphone setting for a real breakthrough. As he grapples with his shortcomings, he embraces absurdity, employing every tool at his disposal to create moments of comic folly.
The solo performance ha ha ha hi! blends dance, circus, physical comedy and object manipulation, and celebrates the art of joking, cheerful silliness, raw humor and the beauty of happy futility. It invites the audience into a world where minimalism meets eccentricity and playfull foolishness becomes profound.
9:30pm Post-performance discussion
- Wed, May 14 | 8pm
Main Stage
- Thurs, May 15 | 8pm
Main Stage
- Fri, May 16 | 8pm
Main Stage
Gats Surprise / Scapes of Landscape Concept, Choreography and Performance by Lukáš Karásek
The Trinity Performer/Idea: Raul “nene” Vargas Torres | Sound Design: Ariel Schlichter | Dramaturgical Advisor: Mathieu Horeau | Outside Eye: Selina Thuring | Produced by: Teatro Remalparido | Thanks to: Cie Dos mundos al arte and Raissa Aviles
DEVOURER Choreography and Performance: Alica Minar | Music: Etienne Haan | Light Design: Raquel Rosildete | Dramaturgy: Lenka Vořechovská | Text: Katarína Bakošová | Set and Costume Design: Claudia Besuch | Costume Collaboration: Hana Brandejs, Sabryna Nitihardjo | Choreographic Assistance: Evgenia Chetvertkova, Tereza Sikorová | Production: Alica Minar & col. z.s. & rawtrip GbR | Project Partners: Teatr ROZBARK, Bytom (PL), Moving Station, Plzeň (CZ), Záhrada, Banská Bystrica (SK), Tělocvičňa – Nová Cvernovka, Bratislava (SK), Marzahn studios, Berlin (DE), ELITE a.s., Varnsdorf (CZ), CO.LABS, Brno (CZ) | Financial Support: Czech-German Future Fund, State Fund of Culture of the Czech Republic, Ministry of Culture of the Czech Republic, NEUSTART KULTUR, Hilfsprogramm DIS-TANZEN des Dachverband Tanz Deutschland (DE), Performing Arts Residency, Visegrad fund (SK/PL), Basel Stadt – Kulturpauschale (CH), PlaST.dance (SK)
ha ha ha hi! Concept, Choreography, Direction, Performance: Felix Baumann | Outside Eyes: Nicole Nigro, Raúl Vargas Torres, Jan Zöller, Kysy Fischer | Stage Design: Carl Nitnelav | Music Design: Felix Baumann | Lighting Design: Andreas Salesman | Video: Alicja Hoppel | Production: Von B bis Z | Baumann & Zöller GbR | Partners: LOFFT DAS THEATER Leipzig, Kulturräume GmbH Berlin, Chamäleon Berlin, Tollhaus Karlsruhe
The research from which the project emerged was supported by the Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media. The production was structurally supported in form of residence space by following production houses and organizations: LOFFT DAS THEATER Leipzig, Kulturraum GmbH Berlin, Chamäleon Berlin and Tollhaus Karlsruhe.
DauerDeviation Concept, Choreography, Performance: Kysy Fischer | Music and Sound: Mattias Larsen
The edition of the festival in 2025 is funded by the czech german fund for future, and was selected as part of the artistic program of the IETM plenary meeting.