etb English
Theatre
Berlin International Performing Arts Center

Renowned Norther Irish author and Director of the Seamus Heaney Centre Belfast Glenn Patterson will read from (quote) “New books, older books and maybe a couple of things on which the ink has only just dried” The session will be moderated by Prof. Felix Sprang and is the opening of the British Council Literature Seminar 2022 Neu NI Now featuring contemporary writing from Northern Ireland

Glenn Patterson will read from his latest works “Where Are We Now?” and “The Last Irish Question: Will Six into Twenty-Six Ever Go?”

  The British Council Literature Seminar “Neu NI Now” 

will feature contemporary writing from Northern Ireland, 24 – 26 February 2022.

Glenn Patterson, the renowned novelist, non-fiction writer and Director at the Seamus Heaney Centre at Queen’s University Belfast will chair the British Council Literature Seminar 2022. Northern Irish writers Nick Laird, Lucy Caldwell, Abby Oliveira, Michelle Gallen, Bebe Ashley and Padraig Reagan will present readings, discussions, and workshops.

The seminar will consist of two public readings by Glenn Patterson and Nick Laird, a spoken word performance by Abby Oliveira , readings by Michelle Gallen and Lucy Caldwell, two panel discussions and four author-led workshops.

The seminar will offer academics, students, publishers, translators and journalists from across Europe the chance to experience some of the best of Northern Irish literature and engage with writers and their work first-hand.

Read more about the British Council Literature Seminar here.

The U.S. Embassy Literature Series

A Reading from The Organs of Sense

Adam Ehrlich Sachs, writer and fellow, American Academy in Berlin 2019

In 1666, an astronomer makes a prediction shared by no one else in the world: at the stroke of noon on June 30 of that year, a solar eclipse will cast all of Europe into total darkness for four seconds. This astronomer is rumored to be using the longest telescope ever built, but he is also known to be blind―and not only blind, but incapable of sight, both his eyes having been plucked out some time before under mysterious circumstances. Is he mad? Or does he, despite this impairment, have an insight denied the other scholars of his day?

These questions intrigue the young Gottfried Leibniz―not yet the world-renowned polymath who would go on to discover calculus, but a nineteen-year-old whose faith in reason is shaky at best. Leibniz sets off to investigate the astronomer’s claim, and over the three hours remaining before the eclipse occurs―or fails to occur―the astronomer tells the scholar the haunting and hilarious story behind his strange prediction: a tale that ends up encompassing kings and princes, family squabbles, obsessive pursuits, insanity, philosophy, art, loss, and the horrors of war.

Adam Ehrlich Sachs lives and works in Pittsburgh. He has an AB in atmospheric science and an MA in the history of science from Harvard University. The author of two books of fiction, Sachs’s writing has appeared in the New Yorker, n+1, and Harper’s, among other publications. His first book, Inherited Disorders: Stories, Parables, and Problems (Regan Arts, 2016), was a finalist for the 2017 Sami Rohr Prize for Jewish Literature. His story “The Philosophers” was named a Distinguished Story in The Best American Short Stories 2017. In 2018, Sachs received a National Endowment for the Arts fellowship in literature. His novel The Organs of Sense was published in May 2019 by Farrar, Straus and Giroux.

The U.S. Embassy Literature Series

A Reading from Stimme und Atem. Out of Breath, Out of Mind

Peter Wortsman, writer, translator and alumnus, American Academy in Berlin

Moderated by Andrew Gross, Professor of American Studies, Universität Göttingen

“To have reached at age 66, after years of considerable creative effort in English, the beginner’s level in another language is in my view no small feat, something on the order of digging a hole so deep into New York granite that you come crawling back up in China, filthy but still breathing. If as an adult I stutter and stumble with the shaky spoon of my tongue back into the still fluid forecourt of consciousness that German constitutes for me, I do so in full consciousness as an English speaker reminded of other syllables that say more to me about the unspeakable than yes and no.” So writes the New York-born author, son of Austrian-Jewish émigrés, in the foreword. “I harbor a stillborn scribe of the German tongue in me,” he maintains. In this collection of stories, some quasi-autobiographical, some nightmarish, most of them originally written in German and thereafter translated, or rather, adapted by the author himself into English, Wortsman creates a compelling, albeit disturbing, portrait, not only of himself, but also of our shattered age. Despite all, with his writing, Wortsman harbors a hope: “Perhaps we Germans and Jews of the Post-War generation, as children of a shattered cultural union, can still achieve something productive together, perhaps we can pick a few rags of reason from the ruins of the past and therewith pitch a tent big enough to hold all our dreams.”

Excerpted from Stimme und Atem/Out of Breath, Out of Mind (Zweisprachige Erzählungen/Two-Tongued Tales), a bilingual German-English book of stories by Peter Wortsman, forthcoming from PalmArt Press, Berlin, October 2019

Peter Wortsman is the author of novels, books of short fiction, plays, and travel memoirs. He is also a literary translator from German into English. He was a Fulbright Fellow in 1973, a Thomas J. Watson Foundation Fellow in 1974, and a Holtzbrinck Fellow at the American Academy in Berlin in 2010. His writing has been honored with the 1985 Beard’s Fund Short Story Award, the 2008 Gertje Potash-Suhr Prosapreis of the Society for Contemporary American Literature in German, the 2012 Gold Grand Prize for Best Travel Story of the Year in the Solas Awards Competition, and a 2014 Independent Publishers Book Award (IPPY). His travel reflections were selected five years in a row, 2008-2012, and again in 2016, for inclusion in The Best Travel Writing. His short fiction and essays have appeared, in German translation, in Manuskripte, Schreibheft, Cicero, the anthology AmLit: Neue Literatur aus den USA, published by the Druckhaus Galrev, Berlin, and in Die Welt and Die Zeit.

ETB | IPAC, THEATER THIKWA and the american academy in berlin present A reading by ANNE FINGER

Anne Finger will be reading from an early memoir, Past Due: A Story of Disability, Pregnancy and Birth which was published in the U.S. by Seal Press. A German translation, Lebenswert, was published by Fischer Verlag in 1992.

Anne Finger liest aus einem autobiographischen Text: “Past Due: A Story of Disability, Pregnancy and Birth”, der in deutscher Übersetzung von Christine Frick-Gehrke unter dem Titel “Lebenswert – eine behinderte Frau bekommt ein Kind” 1992 bei S. Fischer erschienen ist.

Anne Finger is a writer of both fiction and non-fiction.  Her most recent book is a novel, A Woman, in Bed (Cinco Puntos).  Her short story collection, Call Me Ahab retells iconic disability stories from a disabled perspective.  Her most recent memoir, Elegy for a Disease: A Personal and Cultural History of Polio was published by St. Martin’s Press. She lives in Oakland, California, where she is active in the disability justice movement as well as movements for broader social change.

Anne is currently the Holtzbrinck Fellow at the American Academy in Berlin.

Anne Finger ist Autorin von Romanen, autobiografischen Texten und Sachbüchern; 2018 erschien ihr neuester Roman “A Woman, in Bed”. In ihrem Erzählungsband “Call Me Ahab” (2009) erzählen Behinderte – sowohl Figuren aus literarischen Texten als auch real existierende Mitmenschen – aus ihrer Perspektive. Ihr letztes Memoir “Elegy for a Disease: A Personal and Cultural History of Polio” erschien 2006. Anne lebt in Oakland / Kalifornien, wo sie sowohl in der Behindertenbewegung als auch in verschiedenen Gruppierungen und Bewegungen für breitangelegte gesellschaftliche Veränderung aktiv ist.

Zur Zeit ist sie Holtzbrinck Fellow an der American Academy in Berlin.

Pic/Foto: Shoey Sindel