SLUT: A Love Story is a vibrant manifesto of joy, feminism and sexual exploration. Through the lens of her own life, performer and self-identified slut, Anne Marina Fidler courageously navigates the impacts of heartbreak, sex work and technology on this identity. Employing storytelling, dance and audience participation, Fidler crafts a compelling narrative that is both humorous and sincere.
Drawing from her own rich and charmed sexual history, Fidler invites audiences to participate in a narrative that celebrates the complexities of sex as part of our fully realized selves, while still acknowledging the collective trauma and shame that patriarchy places on sexuality.
In SLUT, Fidler challenges the conventional narrative surrounding casual sex and demands that the patriarchal scripts of hook-up culture be re-written.
Utilizing her background as a cabaret performer, Fidler employs both comedic flair and emotional depth to critically engage with delicate topics. She celebrates the power of sex while refusing to elevate it to sacrosanct divinity, aiming to liberate audiences from the constraints of patriarchal ideology and internalized misogyny.
Under a mute sky of blazing light; Winnie, sunk to her waist in a mound of sand, and her husband Willie, mostly immobile in a cave behind her, attempt to cope with their doomed situation.
The role of Winnie is played by Berlin-based Irish actor Mary Kelly. Mary has performed extensively in Ireland, including at the Gate Theatre, and in Germany most regularly at English Theatre Berlin | International Performing Arts Center.
The role of Willie is played by Tomas Spencer, who began his career at ETB | IPAC in the early 2000s and has gone on to appear in numerous films and television programs, including The Last Station, Nymphomaniac and Passport To Freedom.
Wise as witches with a tongue like a lash and a heart of gold, she will take you on an alchemical theatrical journey.
The Examination is the outcome of a 12-month research period that saw Brokentalkers’ directors Gary Keegan and Feidlim Cannon hold theater workshops and interviews with life sentence prisoners and former prisoners in various settings including Mountjoy Prison and PACE Training and Education Services. They have also drawn on wider historical analysis undertaken by Associate Professor Catherine Cox (UCD) and Professor Hilary Marland.
“A passionate one-man show … Mr. Kinevane interprets Valentino’s highly theatrical screen presence to stunning effect … A carefully wrought production … [he] doesn’t just demand [the audience’s] attention, he commands it. And that difference is what makes Mr. Kinevane an artist of the theater.”
PICK OF THE FRINGE, Edinburgh Festival Fringe
“Part Fleabag, part Marina Abramovic, it straddles the line between theatre and performance art. Eva O’Connor delivers a fiery performance that never wavers in its intensity… Her writing, too, is strong. The script is densely packed with jokes and rich metaphors and she explores the issue of mental health with sensitivity and aplomb.”
Eva O’Connor is a writer and performer from Ogonnelloe, County Clare. She studied English and German at Edinburgh University before completing an MA in theater ensemble from Rose Bruford drama school in London. Her plays include My Best Friend Drowned in a Swimming Pool, Kiss Me and You Will See How Important I Am, My Name is Saoirse, Overshadowed, The Friday Night Effect (co-written with Hildegard Ryan), Maz and Bricks and Mustard.

