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Blog Archive

Molly Antopol

the U.S. Embassy Literature Series

Molly Antopol, currently the Mary Ellen von der Heyden Fellow in Fiction at the American Academy in Berlin, reads from her novel-in-progress, The After Party.

Molly Antopol’s debut story collection, The UnAmericans, won the New York Public Library’s Young Lions Fiction Award, a National Book Foundation 5 Under 35 Award, the French-American Prize, the Ribalow Prize and a California Book Award Silver Medal. The book was longlisted for the 2014 National Book Award and was a finalist for the PEN/Robert W. Bingham Prize, the Barnes & Noble Discover Award, the National Jewish Book Award and the Sami Rohr Prize, among others. The book appeared on over a dozen “Best of 2014” lists. The German translation Die Unamerikanischen came out in 2015. Her writing has appeared widely, including in the New York Times, The Wall Street Journal, The New Republic, San Francisco Chronicle, NPR’s All Things Considered and This American Life, online at The New Yorker and in the O.Henry Prize anthology. She’s the recipient of a Wallace Stegner Fellowship at Stanford University, where she teaches creative writing and was a fellow at the Radcliffe Institute for Advanced Study at Harvard.

Photo by Debbi Cooper

Daniel-Ryan Spaulding

Daniel-Ryan Spaulding is an internationally touring Canadian-Croatian stand-up comedian who has performed in over 40 countries worldwide.

His show is a wild ride through European expat life and the human condition. How does your perspective on life change as a global citizen? A show that will unburden your frustrations, leave you feeling empowered and make you laugh ‘til it hurts!

We are very excited to invite him back to ETB | IPAC for a solo show following his legendary headlining appearances in our International Comedy Showcase in 2014 and 2015!

“Daniel shines when engaged in storytelling, timing his humor well in an admirably relaxed fashion, while his mannerisms and confrontational attitude entertain, as he lets his inner frustrations spill out into hilarious and, at time, brutal anecdotes. Daniel’s combination of camp enthusiasm and fearless outspokenness serve to create a very entertaining show.”
– **** Three Weeks (UK)
“Brilliant, hilarious subversion” – Huffington Post

Watch Daniel-Ryan Spaulding’s viral hit (over 2 million views) on YouTube:

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Sorry Gilberto

Sorry Gilberto are Anne von Keller and Jakob Dobers from Berlin. They have traveled Europe since 2007, playing their way through clubs, theaters, bars, roofs and living rooms.

Sorry Gilberto can sound like the Velvet Underground and be reminiscent of Belle and Sebastian, but, at the end of the day, Sorry Gilberto is really only reminiscent of Sorry Gilberto.

Sorry Gilberto is back at English Theatre Berlin | International Performing Arts Center and they’ve brought their magical fourth album, Twisted Animals with them. With music for the dead of night and the light of day. With music for a film that anyone listening to the songs will want to make. They’re back with their euphoric melancholy, with songs that really tie the work of art together, that sound happy and sad at the same time. Sorry Gilberto remains true to itself, Anne von Keller and Jakob Dobers sing along to reduced, minimal instrumentation and remain a duo, always together, singing a duet. This is music you can move to, music like a dream.

The devil has the best tuna October 2016, Blog from Liverpool
New Music to Delight Your Ears.
Berlin duo Jakob Dobers and Anne von Keller aka Sorry Gilberto, have been serving up delightful little pearls of indie pop perfection for over 10 years. At the end of last month they released their new album, Twisted Animals, which is full to the brim of beautiful little nuggets of musical gold like their latest single, Yellow Sweater. It’s gentle, minimalist pop that finds beauty and significance in the humdrum everyday objects and event including a yellow sweater, a cup of coffee and the humming of bees.
It’s so soothing it should be prescribed by doctors to relieve stress and so beautiful it should be hanging in a gallery.

Watch Sorry Gilberto on YouTube:

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Rolling Stone September 2016
Summen statt Posaunen: Minimalpop-Chansons mit viel Romantik.
Für ihr viertes Album stellen Anne von Keller und Jakob Dobers ihre Minimalpop-Chansons in etwas detailliertere Arrangements und buchstabieren Ideen aus, die auf früheren Platten skizzenhafter geblieben wären. Nun tritt die Romantik, die in diesem Werk immer genauso wichtig ist wie das Karge, ein wenig in den Vordergrund. Sie ist natürlich ohnehin das Herz in dieser Musik, die lieber summt als rausposaunt. Eine der besten Momente schafft “Into The Woods”, das eine hypnotische Spieluhrmelodie hat, sich anfühlt wie französisches Autorenkino und viel zu früh vorbei ist. Aber es gibt hier noch viele weitere kleine Wonnen. Die Schlichtheit legt frei, wie schön diese Lieder sind. (Jörn Schlüter)

IMPRO 2017: Afterlife

IMPRO, Berlin’s festival for improvisational theater, presents top-notch improvisers from all over the world and has celebrated the art of international spontaneous theater annually since 2001.

In 2017, IMPRO presents a show that really is a matter of life and death:

“As death approaches, the quality of the time that remains becomes the issue.” Michael Kearney, Mortally Wounded

Afterlife is an experimental performance piece about death, dying and how we choose to live, performed by a distinguished international cast. Through existing materials, original material, spontaneous material and interaction with the audience, the performers hold up a mirror to mortality asking everyone to think about their own lives and experience. Afterlife explores the traditions around death in a personal and cultural way. The cast examines the traditions, taboos, myths, legends and assumptions about death and afterlife as experienced in their own lives and countries. This is an evening of reflection, humor and improvised scenes and stories brought to you by some of the world’s most beloved improvisers, including well-known IMPRO guests like Trixi Brunschko (Austria), Maja Dekleva Lapajne (Slovenia), Randy Dixon (USA) and many more.

The Most Unsatisfied Town

Six additional performances of the world premiere production of a new play by Amy Evans, directed by Daniel Brunet

Since he arrived in Germany, Laurence has tried to do everything by the rules. He applied for asylum, waited patiently for his papers and found the kind of job no national would ever care to do. He is friendly to his neighbors, even the ones who tease his children in school, and cooperates with the police when they ask for his help.

He’s found the formula for survival, or so he thinks, until one day his friend Rahim mysteriously disappears. When the body turns up charred beyond recognition, Laurence is thrust to the fore of a civil rights movement and is forced to take a closer look at the town he was so ready to call home.

The Most Unsatisfied Town is based on the true story of Oury Jalloh, who was killed in Dessau police custody on January 7, 2005, and the activists of the Initiative in Remembrance of Oury Jalloh, who spurred an international movement to bring his killers to justice. This play is a fictional story about racism, police violence and life in German cities.

The play is performed in English with German subtitles.

The production also features a lobby exhibition exploring Oury Jalloh, other deaths in police custody throughout Europe and related topics as well as two post-performance discussions on March 10 and March 16.

The discussion on March 10 will be moderated by Noa Ha (Migrationsrat Berlin Brandenburg) with special guest Thomas Ndindah (Initiative in Remembrance of Oury Jalloh) and the discussion on March 16 will be moderated by Sharon Dodua Otoo (Witnessed Series) with special guest Canan Bayram (Berlin’s House of Representatives, Bündnis 90 / Die Grünen)

We are also offering school workshops in cooperation with the Initiative in Remembrance of Oury Jalloh. Student matinees can also be arranged with these workshops on March 13, 14, 15 or 16. Please email tickets (at) etberlin.de for more information.

LogoHKF-M-RGB (Ausschnitt) Supported by Hauptstadtkulturfonds

Photos by Roman Hagenbrock

These photos may be used by giving the author or licensor the credits (CC-BY-3.0-de-license).

THE LAB: Two Works On Death And Dying

We all search for order, clarity or a sense of narrative when we lose the ones we love or reflect on our own mortality. But it would seem that the search is in vain. Death is cruel, disordered, chaotic, tragic and, sometimes, hilarious.

Two Works on Death and Dying is an attempt to unearth the psychology and mythology that surround the theme of death. It is told in two parts: And Then She Departed in the Most Secret of Manners, a deeply personal story of loss and The Mandragora and other Beliefs, an intense meditation on the afterlife. The artists invite you to join this cathartic event in the making and to celebrate with them the inevitability of loss, grief, fear, death and our will to survive.

Followed by a post-performance discussion


Marcelina Bozek was born in a small city in Poland in 1985. She moved to Krakow immediately after high school, where she graduated from university with a Master’s degree in humanistic studies. While studying, she worked extensively with numerous theaters in Krakow. Marcelina has taught theater workshops and acting courses for many years. In October 2014 she moved to Berlin, where she continues her development as an artist, theater trainer (Instant Theatre Berlin) and cultural manager (Plötzlich am Meer Festival). She runs theater workshops, performs as an independent artist and works for art and music festivals as part of the production team. She practices physical theater methods, contact improvisation and contemporary dance. Since moving to Berlin, Marcelina has continuously worked with Tatwerk – Performative Forschung, a theater, dance and performance studio, in an ongoing collaborative relationship.

Jahman Davine is an Australian-born theater maker working between Melbourne, Australia and Berlin, Germany. Having graduated from the National Theatre Drama School, he has also studied the Anne Bogart and Tadashi Suzuki methods with Zen Zen Zo, Australia’s leading physical theater company. Davine’s productions walk a formal tightrope between chaos and order, using philosophy and mythology to investigate themes of social ideology, fantasy and taboo. Often containing little story and void of modern characters, his work seeks to engage the audience’s collective cerebral and physical responses to time, space and causality composition. By counterpointing poetic text, visual art, spatial design, color and light, theme, myth and music to the performers’ bodies, Davine aims to create a total audience experience. In this way, he endeavors to define a new form of performing arts, one which is independent from other art forms to offer the unique possibility of an extraordinary group experience, influenced by the historic human necessity for tragic celebration, ritual and cathartic connection.

Michelle Myers is a Berlin-based writer/performer from Melbourne, Australia. After completing her training at the National Theatre Drama School in 2010, she has worked extensively in theater and film. She worked as a performer/script developer with immersive theater companies Underground Cinema, Secret Squirrel and Little Sister Productions for four years. In 2014 she co-founded TBC, an independent company focused on challenging traditional notions of theatre through unconventional staging and venues. In 2015 she studied at the William Esper Studio in New York. Her recent projects include film The Fiery Escape directed by Mehdi Messouci (MANEKINO – Berlin) and Illusion Woman, a solo performance piece written and directed by Libia Castro and Ólafur Ólafsson for the The Soul Of Money exhibition at DOX Center for Contemporary Art, Prague.

TURI (Turi Agostino) is an Australian-born producer/composer/performer currently based in Berlin. Trained over the last 20 years as a classical pianist and well versed in the world of electronic and ambient sounds, he has worked in the fields of live and studio production, sound design for film and live performance for most of his career. He has toured nationally around Australia with various outfits in a variety of festivals and venues.

Clever

CLEVER. The live comedy panel game show with Berlin’s funniest comedians!

Covering a wide range of games, puzzles and topics, this is Berlin’s best and only live game show. Be it astrophysics, history, geography or sports, local heroes like Die Gorillas and your favorite stand-up comedians will be put to the test. Hosted by Canada’s Lee White (Crumbs), he challenges the comical combatants to prove who’s the cleverest. A correct answer will get you points… unless someone gives a funnier one. At the end of the day, being the smartest or funniest isn’t enough: in this exhilarating, interactive comedy quiz you have to be CLEVER to win!

CLEVER. The game show where the audience always wins laughs.

Featuring contestants Paul Salamone, Bjørn Harras and Matilde Keizer!

THE LAB: My Head Is An Animal

The performance deals with the critical voice inside your own mind. That annoying one that doesn’t seem to go away no matter how hard you try. Questioning who is the voice inside your head and are you listening? It’s also about my mother but that’s a long story so we can save that for later.

A solo piece using text, movement and audio with gentle audience participation.

 

Followed by a post-performance discussion

 

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Lauren Hart was born in Sheffield, England in 1985. She graduated in 2007 from Central School of Speech and Drama School in London where she trained as a performer. Since graduating she has worked professionally in the independent theater community around Europe performing her own work and collaborating with directors, choreographers (Willi Dorner, Anu Almagro, Andrew Loretto, Neil Bettles and Sarah Duffy) and theater companies (You Me and Bum Bum Train, The Other Way Works and Nodding Dog). She has performed at various venues in the UK (The Crucible, Camden People’s Theatre, Theatre Delicatessen, Arnolfini, Bank Street Arts and Live Art Bistro) and in various site-specific locations throughout Europe. She has performed in the UK, Greece, Norway, Germany and Finland.

She moved to Berlin in 2015 and works as a freelance theater maker and performer. Since arriving in Berlin she has collaborated with Fang Lu on her video art project Ex Lovers and she has performed her one-to-one performance This is Mine. What’s Yours? in the 2016 Expat Expo | Immigrant Invasion Festival at English Theatre Berlin | International Performing Art Center and Theaterhaus Berlin Mitte. Wrought-Sheffield (one-to-one performance Festival, UK) commissioned her to develop and perform a new cross cultural performance I’m not (t)here anymore which uses Skype video call to connect the UK and Germany. The performance was shown as part of the festival in April 2016 in both Berlin and Sheffield.

In September 2016 she was invited to perform This is Mine. What’s Yours? at the Pori Theater Festival in Finland. Follow a collaboration with German artist Dara Friedman, the video poetry project featuring one of her poems will be shown at the gallery Supportico Lopez in spring 2017.

Paul La Farge

The U.S. Embassy Literature Series:

Paul La Farge, 2016/2017 Picador Guest Professor for Literature at the University of Leipzig, reads from his new novel The Night Ocean

tnocover-smThe novel is about a man who becomes obsessed with an episode from the life of legendary horror author H.P. Lovecraft and then suddenly disappears. His wife then sets off on a desperate search for him.

“It’s about love and trust and betrayal, and the mystery at the heart of any intimate relationship. Everyone has depths that we can’t fathom. Sometimes what’s down there surfaces.” (Paul La Farge)

Paul La Farge was born in 1970 in New York City and studied at Yale University. He has taught creative writing on and off since 2002 at Wesleyan University and Colombia University. He is a recipient of the Guggenheim Fellowship and was a fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library in 2013-14. His short stories and non-fiction pieces have been widely published in journals, including McSweeney’s, Harper’s Magazine, Fence, Conjunctions, The Believer, Playboy and Cabinet. He is the author of the novels The Artist of the Missing (1999) and Haussmann, or the Distinction (2001), for which he received the annual Bard Fiction Prize. His latest novel Luminous Airplanes was published in 2011.