etb English
Theatre
Berlin International Performing Arts Center

by The Long Song (Berlin)

an American opera of modern lovers

A modern parable of love in the 21st century told through two short American chamber operas: The Telephone by Gian Carlo Menotti and The Letter by Brian Hulse

One man, two women and too many phones – Chivalry may not have been killed by Man. In a world of iphones, bluetooth, Skype, & IMs, a sit down, face-to-face conversation seems to be a thing of the distant past. At least that’s what Lucy apparently thinks in the comedic opera The Telephone. Written in 1947 as a social commentary on the encroachment of technology on modern life, Gian Carlo Menotti is again made pertinent in this contemporizedImageinterpretation. A modern parable about the pitfalls of telecommunication, the battle between man and technology is on. Will the couple ever have their Happily Ever After when the telephone is constantly engaged?

Whether irked or inspired by the short sms, the urgent email, the quick IM, are we cured of loneliness forever? Connected, collective, communal; one love, many loves or no love at all?

The second piece of the evening tells the story in the European premiere of Brian Hulse’s contemporary opera The Letter (written in 2003, based on Edith Wharton’s story The Dilettante). Behind the paints and veils of Victorian society, a common theme is the image of women as vulnerable, wilting flowers forever outwitted and overpowered by men. But lurking under the ruffled façades of yesteryear, the mind games between women and men seethed away, masked only in witty allusion. Thursdale´s disreputable affair with Mrs. Vervain may have seemed innocent amidst the backdrop of parlor society in Edith Wharton’s time and when Thursdale proposes to another woman, Miss Gaynor, one may think that man would again trump the ladies in deceit. It is the women however, in this ménage, who rise victorious as they parry in this Suffrage-era tale of an early Women´s Liberation. In the end they extract justice of their own from a culture often too permissive of its men.Image

The artists of THE LONG SONG came together early in 2008 in dedication to American vocal repertoire, much of which remains largely unperformed in Europe. For missTcommunication they´ve chosen one standard and one unknown work of American short opera, both centered on the themes of desire and the need for real connection and intimacy which gets so often lost in our modern society.

The world is ending. And it’s happening at table 9…

TOTAL THEATRE AWARD at the Edinburgh Festival Fringe 2006

“Beautifully observed … wonderfully witty … I laughed until I cried” (The Guardian)

Inspired by T.S. Eliot’s poem of the same name, Hysteria makes us witnesses to a painstaking attempt at social interaction. A man and a woman are on the most awkward dinner date of their lives. He is an academic whose research into modern day neuroses is threatening his sanity, she is an events manager who’s terrified of missing the party. Caught in the middle is their mortified waiter. With humour, physicality and visceral sound and lighting, Hysteria draws its audience into a world where the main course is a fight for survival and a banana can move you to tears.

Hysteria premiered at the Edinburgh Fringe Festival 2006 where it won a Total Theatre Award and was shortlisted for the Carol Tambor Award.

Inspector Sands is a collective of award-winning theatre-makers with a body of acclaimed work between them. Hysteria is a co-production with Stamping Ground Theatre whose A Quiet Afternoon received rave reviews at the Edinburgh Fringe 2004 and on its UK and Irish Tours.