This format opens the festival and is dedicated to newcomers, shorter performances and work-in-progress. Spend an entire afternoon taking in four different performances. Performances start at 1pm and we open our doors at noon.

I AM EVERYBODY, I AM EVERY BODY | Performance (1pm)

Written, Directed and Performed by Marque-Lin (USA) | Sound, Video and Stage Design by B_No_Source [live] (Germany) | Choreography by Ly Nguyen (Germany/Vietnam) | Costume Design by Jessika Strauck (USA/Germany/Paraguay) | Camera Operation and Documentation by Kantatach Kijtikhun (International/ Thailand) | Camera Documentation by Paul Henschel (Germany)

I Am Everybody, I Am Every Body is an experimental performance and audio-visual piece that traces a fractured semiautobiography of MARQUE-Lin as a daughter of Vietnamese refugees. Using extractions from her life as footage and material, B_No_Source [live] will modulate and rearrange MARQUE-Lin’s voice live on stage, transforming her into <s*he> – a nation- less AI-produced female entity that has decided to finally investigate the systems and networks that have created her in search of her point of origin and subsequently her purpose in living an existence of such ambiguity and suffering.

Questions of nationhood, inter-generational inheritance, historical and personal trauma skip and glitch as <s*he> questions the pervasive sense of unrest and constant malfunctions happening in her body. Something is calling her from the edge of her self-understanding. From within the black box—a space where unknown codes and hidden layers categorize and determine – her identity emerges. Where does <s*he> begin? Which systems are complicit in the creation of immigrational identity? How much of our digital networks represent our own hidden prejudices? Is there an escape? PRESS START.



MILKTOOTH | Performance (2:30pm)

Created and Performed by Promona Sengupta (India)

In the not-so-distant future, when interplanetary travel, collaboration and governance is the established order of the day, a young woman on Earth, turning 30, decides to fill the emotional void in her single life by taking part in the intergalactic adoption scheme and becoming a single mom. The catch – her newborn adoptee is a gigantic extraterrestrial child who Earth-dwellers would simply refuse to accept. As they grow old together, mother and child find tenuous ways of communicating, loving, caring and intimacy that take the world by shock and raise violent alarm bells everywhere from the Kita to the playground, until a terrified neighbor calls the authorities.

This is the story of a young single mom trying to save her special-needs-child from being taken away by the intergalactic child services, all the while attempting to love someone who does not fit into the human definition of “lovable”.






CON-SENSUAL | Interdisciplinary Performance (4:00 pm)

Directed, Devised and Performed by Derya Durmaz (Turkey/Germany) | Dramaturgy by Katja Kettner (Germany) | Audiovisual Directing & Editing by Özlem Sariyildiz (Turkey/
Germany) and Bora Yediel (Turkey/ Germany) | Stage and Costume Design by Turgut Kocaman (Turkey/Germany) | Set Choreography by Merve May Parlar (Turkey/Germany) | Performed by Michaele Daoud (Syria/Germany)


Pain and pleasure. Giving in and giving up. Playing and roleplaying. Do you play your part? Did you write your part? Or were you given your part? Was it consensual? Or were you conned? Was it at least sensual? Is it time to come to your senses? Maybe then you can finally make sense of it all…

Con-Sensual is an interdisciplinary performance project that takes a close and intimate look at how much of an understanding we really have of our (chosen or given) gender roles and the parts we play.



THE HORROR WOMAN A.K.A. TOO DARK … TOO SWEET … TOO DEAD? | Dance Performance (5:30 pm)

Choreographed and Performed by GᾹZ collective a.k.a. Noga Abramovitch (Israel), Helen Burghardt (Germany) and Zoe Goldstein (United Kingdom)

Sitting in a darkened movie theater, hunched up, limbs knotted, hands over faces, three friends wonder how it is that they happen to be seeing yet another horror movie together. It’s that fine, intriguing line between fear-horror-pleasure. This shared visceral experience also raises questions: what’s up with women in horror films? All those beautified helpless victims and sirens with dark powers. Who created them and through whose eyes are we watching? How do we connect, and to what, when these female archetypes bleed across the screen? An unlikely and frightening adventure ensues.

The Horror Woman a.k.a too dark … too sweet … too dead? is a dance horror piece, exploring feminine archetypes and expressions of femininity in horror, the female gaze in horror as well as the translation and transitions between cinematic and stage languages.

The Horror Woman a.k.a. too dark … too sweet … too dead? was developed with support from ADA Studios and Theaterhaus Berlin Mitte.

  • Wed, September 30 | 1pmMain Stage

Tickets 15 € (9 € students)