The joint venture venue of ENGLISH THEATRE BERLIN and THEATER THIKWA is located at:

Fidicinstrasse 40
10965 Berlin (Kreuzberg)
Subway:
U6 Platz der Luftbrücke
Buses: M19 & 104

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English Theatre Berlin

HOTEL METHUSELAH

by imitating the dog (UK)

a visual masterpiece of contemporary British theatre - in Germany for the first time, exclusively at English Theatre Berlin


December 4 - 9 / 8pm


"...unlike any other piece of theatre you're likely to have experienced before...intriguing, a successful narrative experiment and a piece of art in its own right." Yorkshire Evening Post -  Reviewed in NEUES DEUTSCHLAND

Director Andrew Quick talks bout the show HERE

HotelMethu website kleiner


Hotel Methuselah is a contemporary ghost story that explores our fears around mortality, sexuality and the terrifying sense of responsibility that comes with having children. In a stunning homage to post-war British cinema and the French Nouvelle Vague, imitating the dog create a unique and disturbingly immersive experience for the audience.


Telling the story of night porter Harry's search to uncover the forgotten truth of his past, Hotel Methuselah is a searing tale of the destructive power of love and the hell of personal disintegration. Fusing spectacular live action and video projection, this is stylish, cutting edge visual performance that places narrative, emotion and wit at its core.


supported by

BC-Logo 100pixbreit



A collaboration between imitating the dog and Pete Brooks
Written and directed by Andrew Quick and Pete Brooks with the company
Design by Laura Hopkins
Soundtrack by Neil Boynton
Video editing by Simon Wainwright and Seth Honnor

with Morven Macbeth, Simon Wainwright, Richard Malcolm, Dominic Fitch, Anna Wilson


hm 2006 03

more about HOTEL METHUSELAH including a video clip HERE


The piece was supported by Arts Council England, Lancaster University, University of the Arts London, The Gallery and Studio Theatre Leeds, Cochrane Theatre and Nuffield Theatre.


more info about IMITATING THE DOG here

"a company at the forefront of testing the nature of theatre" - The Guardian